Oh, the Circus-Day parade! How the bugles played and played!
And how the glossy horses tossed their flossy manes, and neighed,
As the rattle and the rhyme of the tenor-drummer's time
Filled all the hungry hearts of us with melody sublime!
How the grand band-wagon shone with a splendor all its own,
And glittered with a glory that our dreams had never known!
And how the boys behind, high and low of every kind,
Marched in unconscious capture, with a rapture undefined!
How the horsemen, two and two, with their plumes of white and blue,
And crimson, gold and purple, nodding by at me and you,
Waved the banners that they bore, as the Knights in days of yore,
Till our glad eyes gleamed and glistened like the spangles that they wore!
How the graceless-graceful stride of the elephant was eyed,
And the capers of the little horse that cantered at his side!
How the shambling camels, tame to the plaudits of their fame,
With listless eyes came silent, masticating as they came.
How the cages jolted past, with each wagon battened fast,
And the mystery within it only hinted of at last
From the little grated square in the rear, and nosing there
The snout of some strange animal that sniffed the outer air!
And, last of all, The Clown, making mirth for all the town,
With his lips curved ever upward and his eyebrows ever down,
And his chief attention paid to the little mule that played
A tattoo on the dashboard with his heels, in the parade.
Oh! the Circus-Day parade! How the bugles played and played!
And how the glossy horses tossed their flossy manes and neighed,
As the rattle and the rhyme of the tenor-drummer's time
Filled all the hungry hearts of us with melody sublime!

[305]

THE RAGGEDY MAN[2]

JAMES WHITCOMB RILEY

O The Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed—an' we all ist laugh
When he drives out our little old wobblely calf;
An' nen—ef our hired girl says he can—
He milks the cow fer 'Lizabuth Ann.—
Aint he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
W'y, The Raggedy Man—he's ist so good
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do!—
He clumbed clean up in our big tree
An' shooked a' apple down fer me—
An' nother'n', too, fer 'Lizabuth Ann—
An' nother'n', too, fer The Raggedy Man—
Aint he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
An' The Raggedy Man, he knows most rhymes
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers therselves!
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Aint he a funny old Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
The Raggedy Man—one time when he
Wuz makin' a little bow-'n'-orry fer me,
Says "When you're big like your Pa is,
Air you go' to keep a fine store like his—
An' be a rich merchunt—an' wear fine clothes?—
Er what air you go' to be, goodness knows!"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man!
I'm ist go' to be a nice Raggedy Man!
Raggedy! Raggedy! Raggedy Man!"

[306]

James Hogg (1770-1835) was a poet of Scotland and a contemporary of Sir Walter Scott. He was known as the Ettrick Shepherd, from the place of his birth and from the fact that as a boy he tended the sheep. He had little schooling and was a thoroughly self-made man. The strongly marked and energetic swing of the rhythm, fitting in so well with the vigorous out-of-door experiences suggested, has made "A Boy's Song" a great favorite. Other poems of his that are still read are "The Skylark" and the verse fairy tale called "Kilmeny."

A BOY'S SONG

JAMES HOGG

Where the pools are bright and deep,
Where the gray trout lies asleep,
Up the river and o'er the lea,
That's the way for Billy and me.
Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That's the way for Billy and me.
Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That's the way for Billy and me.
Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That's the way for Billy and me.
Why the boys should drive away
Little sweet maidens from the play,
Or love to banter and fight so well,
That's the thing I never could tell.
But this I know, I love to play,
Through the meadow, among the hay;
Up the river and o'er the lea,
That's the way for Billy and me.