Dear reader, you are of course as bright as Mary, and so you have noticed, as she did right away, the close parallel between what happened to Eurypelma and what happened to the measuring-worms brought by Ammophila to her nest burrow as described in the first story in this book. And so, like Mary, you realize that the vendetta or life feud between the tarantula family and the family of Pepsis, the tarantula hawk, is based on reasons of domestic economy rather than on those of sentiment, which determine vendettas in Corsica and feuds in Kentucky.
To be quite plain, Pepsis fights Eurypelma to get his huge, juicy body for food for her young; and Eurypelma fights Pepsis to keep from becoming paralyzed provender. If Pepsis had escaped unhurt in the combat at which Mary and I "assisted," as the French say, as enthralled spectators, we should have seen her drag by mighty effort the limp, paralyzed, spider giant to her nest hole not far distant—a great hole twelve inches deep and with a side chamber at the bottom. There she would have thrust him down the throat of the burrow, and then crawled in and laid an egg on the helpless beast, from which in time would have hatched the carnivorous wasp grub. Pepsis has many close allies among the wasps, all black or steely blue with smoky or dull-bronze wings, and they all use spiders, stung and paralyzed, to store their nest holes with.
"Do the little black and blue wasps hunt the little spiders and the larger ones the big spiders?" asked Mary.
"Exactly," I respond, "and the giant wasp of them all, Pepsis, the queen of the wasp amazons, hunts only the biggest spider of them all, Eurypelma, the tarantula king, and we have seen her do it."
"Well," says Mary, "even if she wants him for her children to eat, it's a real vendetta, isn't it?"
"Indeed it is," I answer, "it's more real, and fiercer, and more relentless, and more persistent than any human vendetta that ever was. For every Pepsis mother in the world is always hunting for Eurypelmas to fight. And not all Corsicans have a vendetta on hand, nor all Kentuckians a feud."
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Sewell Ford (1868-) is noted for his fine stories about horses, especially those in Horses Nine, from which the following story of "Pasha" is taken. (By permission of the publishers, Charles Scribner's Sons, New York.) Pasha plays a most important part in a human romance with war as a background, and the combination is very effective. Mr. Ford's Torchy stories are also very popular with young people.
PASHA, THE SON OF SELIM
SEWELL FORD