At dawn Deesa returned to the plantation. He had been very drunk indeed, and he expected to get into trouble for outstaying his leave. He drew a long breath when he saw that the bungalow and the plantation were still uninjured, for he knew something of Moti Guj's temper, and reported himself with many lies and salaams. Moti Guj had gone to his pickets for breakfast. The night exercises had made him hungry.
"Call up your beast," said the planter; and Deesa shouted in the mysterious elephant language that some mahouts believe came from China at the birth of the world, when elephants and not men were masters. Moti Guj heard and came. Elephants do not gallop. They move from places at varying rates of speed. If an elephant wished to catch an express train he could not gallop, but he could catch the train. So Moti Guj was at the planter's door almost before Chihun noticed that he had left his pickets. He fell into Deesa's arms, trumpeting with joy, and the man and beast wept and slobbered over each other, and handled each other from head to heel to see that no harm had befallen.
"Now we will get to work," said Deesa. "Lift me up, my son and my joy!"
Moti Guj swung him up, and the two went to the coffee-clearing to look for difficult stumps.
The planter was too astonished to be very angry.
[397]
Among the writers of nature fiction, probably no one deserves higher rank than Charles G. D. Roberts (1860—), a Canadian. Mr. Roberts does not tell of his own adventures. His stories are truly nature fiction because the characters are animals and the purpose is to reveal the nature of these characters by showing how they would act when placed in various imaginary situations. Kings in Exile, from which the following selection is taken, is a book of splendid stories of large animals. Other excellent books by Mr. Roberts, suitable for the seventh and eighth grades, are Hoof and Claw, Children of the Wild, Secret Trails, and Watchers of the Trails, ("Last Bull" is used by permission of the publishers, The Macmillan Co., New York.)
LAST BULL
CHARLES G. D. ROBERTS
That was what two grim old sachems of the Dacotahs had dubbed him; and though his official title, on the lists of the Zoological Park, was "Kaiser," the new and more significant name had promptly supplanted it. The Park authorities—people of imagination and of sentiment, as must all be who would deal successfully with wild animals—had felt at once that the name aptly embodied the tragedies and the romantic memories of his all-but-vanished race. They had felt, too, that the two old braves who had been brought East to adorn a city pageant, and who had stood gazing stoically for hours at the great bull buffalo through the barrier of the steel-wire fence, were fitted, before all others, to give him a name. Between him and them there was surely a tragic bond, as they stood there islanded among the swelling tides of civilization which had already engulfed their kindreds. "Last Bull" they had called him, as he answered their gaze with little, sullen, melancholy eyes from under his ponderous and shaggy front. "Last Bull"—and the passing of his race was in the name.