Æolus +— Perieres
+— Icarius
| +— Penelope
+— Tyndareus
=Leda
+— Castor
+— Clytemnestra
Thestius
+— Leda
=Tyndareus
+— Castor (see above)
+— Clytemnestra (see above)
=Jupiter
+— Pollux
+— Helen
=Menelaüs
=Paris
Castor and Pollux are called sometimes Dioscuri (sons of Jove), sometimes Tyndaridæ (sons of Tyndareus). Helen is frequently called Tyndaris, daughter of Tyndareus.
(4) Descent of Ulysses and Penelope:
Hellen +— Æolus I
+— Perieres
| +— Icarius
| | +— Penelope
| | =Ulysses
| | +— Telemachus
| +— Tyndareus
| =Leda
| +— Castor
| +— Clytemnestra
+— Deïon
+— Cephalus
| =Procris
| +— Arcesius
| +— Laërtes
| +— Ulysses
| =Penelope
| +— Telemachus (see above)
+— Actor
+— Menœtius
+— Patroclus
(5) The Royal Family of Troy:
Iapetus (Titan) +— Atlas
+— Electra (Pleiad)
=Jupiter
+— Dardanus
=Batea
+— Erichthonius
+— Tros
+— Ilus II
| +— Laomedon
| +— Tithonus
| | =Aurora
| | +— Memnon
| +— Hesione
| | =Telamon
| | +— Teucer
| +— Priam
| =Hecuba
| +— Hector
| | =Andromache
| | +— Astyanax
| +— Paris
| | =Œnone
| | =Helen
| +— Deiphobus
| +— Helenus
| +— Troilus
| +— Cassandra
| +— Creüsa
| | =Æneas
| | +— Ascanius
| | =Iulus
| +— Polyxena
+— Assaracus
+— Capys
+— Anchises
=Venus
+— Æneas
=Creüsa
+— Ascanius (see above)
Teucer
+— Batea
=Dardanus
+— Erichthonius (see above)
195. On the Iliad and on Troy: Keats, Sonnet on Chapman's Homer; Milton, Paradise Lost, 1, 578; 9, 16; Il Penseroso, 100; Hartley Coleridge, Sonnet on Homer; T. B. Aldrich, Pillared Arch and Sculptured Tower; the Sonnets of Lang and Myers prefixed to Lang, Leaf, and Myers' translation of the Iliad. On the Judgment of Paris: George Peele, Arraignment of Paris; James Beattie, Judgment of Paris; Tennyson, Dream of Fair Women; J. S. Blackie, Judgment of Paris. See, for allusions, Shakespeare, All's Well that Ends Well, I, ii, iii; Henry V, II, iv; Troilus and Cressida, I, i; II, ii; III, i; Romeo and Juliet, I, ii; II, iv; IV, i; V, iii. On Helen: A. Lang, Helen of Troy, and his translation of Theocritus, Idyl XVIII; Landor, Menelaüs and Helen; John Todhunter, Helena in Troas; G. P. Lathrop, Helen at the Loom (Atlantic Monthly, Vol. 32, 1873). See Shakespeare, Midsummer Night's Dream, I, i; III, ii; IV, i; All's Well that Ends Well, I, i, iii; II, ii; Romeo and Juliet, II, iv; Troilus and Cressida, II, ii; Marlowe, Faustus (Helen appears before Faust).
In Art. Homer: the sketch by Raphael (in the Museum, Venice). Paris and Helen. Paintings: Helen of Troy, Sir Frederick Leighton; Paris and Helen, by David; The Judgment of Paris, by Rubens; by Watteau. Sculpture: Canova's Paris. Crayons: D. G. Rossetti's Helen; see also Fig. 150, as in text (ancient relief, Naples).
196. Iphigenia and Agamemnon. Sometimes, in accordance with Goethe's practice, the name Tauris is given to the land of the Tauri. To be correct one should say, "Iphigenia among the Tauri," or "Taurians." (See Index.) Iphigenia and Agamemnon by W. S. Landor; also his Shades of Agamemnon and Iphigenia; Dryden, Cymon and Iphigenia; Richard Garnett, Iphigenia in Delphi; Sir Edwin Arnold, Iphigenia; W. B. Scott, Iphigenia at Aulis. Any translations of Goethe's Iphigenia in Tauris, and of Euripides' Iphigenia in Aulis and Among the Tauri; also of Æschylus' Agamemnon,—such as those by Milman, Anna Swanwick, Plumptre, E. A. Morshead, J. S. Blackie, E. Fitzgerald, and Robert Browning. For Agamemnon, see Shakespeare, Troilus and Cressida, I, iii; II, i, iii; III, iii; IV, v; V, i; and James Thomson, Agamemnon (a drama). The Troilus and Cressida story is not found in Greek and Latin classics. Shakespeare follows Chaucer's Troilus and Criseyde, which is based upon the Filostrato and the Filocolo of Boccaccio. Pandarus: the character of this name, uncle of Cressida, to be found in Lydgate, Chaucer's Troilus and Criseyde, and Shakespeare's play of the same title, enjoys an unsavory reputation for which medieval romance is responsible. On Menelaüs, see notes to Helen and Agamemnon.
In Art. Iphigenia. Paintings: Fig. 152, text (Museum, Naples); E. Hübner; William Kaulbach; E. Teschendorff.