CONTENTS
| PART ONE | ||||
| BEAUMONT'S LIFE, HIS ACQUAINTANCES, AND HIS CAREER AS POET AND DRAMATIST | ||||
| CHAPTER | PAGE | |||
| I | THE CASTOR AND POLLUX OF ELIZABETHAN DRAMA | [3] | ||
| II | BEAUMONT'S FAMILY; HIS EARLY YEARS: GRACE-DIEU, OXFORD | [10] | ||
| III | AT THE INNS OF COURT AND CHANCERY; THE POEMS ASSIGNED TO THESE EARLIER YEARS | [29] | ||
| IV | THE VAUX COUSINS AND THE GUNPOWDER PLOT | [46] | ||
| V | FLETCHER'S FAMILY, AND HIS YOUTH | [62] | ||
| VI | SOME EARLY PLAYS OF BEAUMONT AND OF FLETCHER | [72] | ||
| VII | THE "BANKE-SIDE" AND THE PERIOD OF THE PARTNERSHIP | [95] | ||
| VIII | RELATIONS WITH SHAKESPEARE, JONSON, AND OTHERS IN THE THEATRICAL WORLD | [114] | ||
| IX | THE "MASQUE OF THE INNER TEMPLE": THE PASTORALISTS, AND OTHER CONTEMPORARIES AT THE INNS OF COURT | [124] | ||
| X | AN INTERSECTING CIRCLE OF JOVIAL SORT | [145] | ||
| XI | BEAUMONT AND SIR PHILIP SIDNEY'S DAUGHTER; RELATIONS WITH OTHER PERSONS OF NOTE | [150] | ||
| XII | BEAUMONT'S MARRIAGE AND DEATH; THE SURVIVING FAMILY | [172] | ||
| XIII | THE PERSONALITY, AND THE CONTEMPORARY REPUTATION OF BEAUMONT | [190] | ||
| XIV | TRADITION, AND TRADITIONAL CRITICISM | [206] | ||
| XV | A FEW WORDS OF FLETCHER'S LATER YEARS | [211] | ||
| PART TWO | ||||
| THE COLLABORATION OF BEAUMONT AND FLETCHER | ||||
| CHAPTER | PAGE | |||
| XVI | STATEMENT OF THE PROBLEM; CRITICAL APPARATUS | [225] | ||
| XVII | THE DELIMITATION OF THE FIELD | [236] | ||
| XVIII | THE VERSIFICATION OF FLETCHER AND OF BEAUMONT | [243] | ||
| XIX | FLETCHER'S DICTION | [260] | ||
| XX | FLETCHER'S MENTAL HABIT | [277] | ||
| XXI | BEAUMONT'S DICTION | [281] | ||
| XXII | BEAUMONT'S MENTAL HABIT | [291] | ||
| XXIII | THE AUTHORSHIP OF THREE DISPUTED PLAYS | [300] | ||
| XXIV | "THE WOMAN-HATER," AND "THE KNIGHT" | [307] | ||
| XXV | THE FIVE CENTRAL PLAYS | [332] | ||
| XXVI | THE LAST PLAY | [368] | ||
| XXVII | THE DRAMATIC ART, PRINCIPALLY OF BEAUMONT | [378] | ||
| XXVIII | DID THE BEAUMONT "ROMANCE" INFLUENCE SHAKESPEARE? | [386] | ||
| XXIX | CONCLUSION | [396] | ||
| APPENDIX | ||||
| Table | A | [419] | ||
| " | B | [420] | ||
| " | C | [421] | ||
| " | D | [422] | ||
| " | E | [423] | ||
| INDEX | [425] | |||
LIST OF ILLUSTRATIONS
| Portrait of Francis Beaumont | [Frontispiece] |
| FACING PAGE | |
| The Ruins of Grace-Dieu Nunnery | [22] |
| Ruins of Grace-Dieu | [26] |
| A Priory, Ulveston, Extant in 1730 | [26] |
| Thomas Sackville, First Earl of Dorset | [66] |
| The Temple | [96] |
| The Globe Theatre, with St. Paul's in the Background | [104] |
| Ben Jonson | [120] |
| Francis Bacon | [146] |
| George Villiers, First Duke of Buckingham, and Family | [160] |
| John Selden | [170] |
| The Beaumont of the Nuneham Portrait | [192] |
| Michael Drayton | [202] |
| John Fletcher | [226] |
| John Earle, Bishop of Worcester and Salisbury | [244] |
| Don Diego Sarmiento, Count Gondomar | [372] |
BEAUMONT, THE DRAMATIST
PART ONE
BEAUMONT'S LIFE, HIS ACQUAINTANCES, AND HIS CAREER AS POET AND DRAMATIST.