Interiorly the palace halls and chambers were superbly decorated, white silk forming the ceilings of the passages and galleries, from which depended silken hangings of various colors and braided cloths, "which showed like bullions of fine braided gold." Roses set in lozenges, on a golden ground-work, formed the chamber ceilings. The wall spaces were decorated with richly carved and gilt panels, while embroidered silk tapestry hung from the windows and formed the walls of the corridors. In the state apartments the furniture was of princely richness, the whole domains of art and industry having been ransacked to provide their most splendid belongings. Exteriorly the building presented an equally ornate appearance, glass, gold-work, and ornamental hangings quite concealing the carpentry, so that "every quarter of it, even the least, was a habitation fit for a prince."
To what end, in the now far-away year of 1520, and in that rural locality, under the shadows of a castle which had fallen into irredeemable ruin, had such an edifice been built,—one which only the revenues of a kingdom, in that day, could have erected? Its purpose was a worthy one. France and England, whose intercourse for centuries had been one of war, were now to meet in peace. Crecy and Agincourt had been the last meeting-places of the monarchs of these kingdoms, and death and ruin had followed their encounters. Now Henry the Eighth of England and Francis the First of France were to meet in peace and amity, spending the revenues of their kingdoms not for armor of linked mail and death-dealing weapons, but for splendid attire and richest pageantry, in token of friendship and fraternity between the two realms.
A century had greatly changed the relations of England and France. In 1420 Henry V. had recently won the great victory of Agincourt, and France lay almost prostrate at his feet. In 1520 the English possessions in France were confined to the seaport of Calais and a small district around it known as the "English pale." The castle of Guisnes stood just within the English border, the meeting between the two monarchs being fixed at the line of separation of the two kingdoms.
The palace we have described, erected for the habitation of King Henry and his suite, had been designed and ordered by Cardinal Wolsey, to whose skill in pageantry the management of this great festival had been consigned. Extensive were the preparations alike in England and in France. All that the island kingdom could furnish of splendor and riches was provided, not alone for the adornment of the king and his guard, but for the host of nobles and the multitude of persons of minor estate, who came in his train, the whole following of the king being nearly four thousand persons, while more than a thousand formed the escort of the queen. For the use of this great company had been brought nearly four thousand richly-caparisoned horses, with vast quantities of the other essentials of human comfort and regal display.
While England had been thus busy in preparing for the pageant, France had been no less active. Arde, a town near the English pale, had been selected as the dwelling-place of Francis and his train. As for the splendor of adornment of those who followed him, there seems to have been almost nothing worn but silks, velvets, cloth of gold and silver, jewels and precious stones, such being the costliness of the display that a writer who saw it humorously says, "Many of the nobles carried their castles, woods, and farms upon their backs."
Magnificent as was the palace built for Henry and his train, the arrangements for the French king and his train were still more imposing. The artistic taste of the French was contrasted with the English love for solid grandeur. Francis had proposed that both parties should lodge in tents erected on the field, and in pursuance of this idea there had been prepared "numerous pavilions, fitted up with halls, galleries, and chambers ornamented within and without with gold and silver tissue. Amidst golden balls and quaint devices glittering in the sun, rose a gilt figure of St. Michael, conspicuous for his blue mantle powdered with golden fleurs-de-lis, and crowning a royal pavilion of vast dimensions supported by a single mast. In his right hand he held a dart, in his left a shield emblazoned with the arms of France. Inside, the roof of the pavilion represented the canopy of heaven ornamented with stars and figures of the zodiac. The lodgings of the queen, of the Duchess d'Alençon, the king's favorite sister, and of other ladies and princes of the blood, were covered with cloth of gold. The rest of the tents, to the number of three or four hundred, emblazoned with the arms of their owners, were pitched on the banks of a small river outside the city walls."
No less abundant provision had been made for the residence of the English visitors. When King Henry looked from the oriel windows of his fairy palace, he saw before him a scene of the greatest splendor and the most incessant activity. The green space stretching southward from the castle was covered with tents of all shapes and sizes, many of them brilliant with emblazonry, while from their tops floated rich-colored banners and pennons in profusion. Before each tent stood a sentry, his lance-point glittering like a jewel in the rays of the June sun. Here richly-caparisoned horses were prancing, there sumpter mules laden with supplies, and decorated with ribbons and flowers, made their slow way onward. Everywhere was movement, everywhere seemed gladness; merriment ruled supreme, the hilarity being doubtless heightened by frequent visits to gilded fountains, which spouted forth claret and hypocras into silver cups from which all might drink. Never had been seen such a picture in such a place. The splendor of color and decoration of the tents, the shining armor and gorgeous dresses of knights and nobles, the brilliancy of the military display, the glittering and gleaming effect of the pageant as a whole, rendering fitly applicable the name by which this royal festival has since been known, "The Field of the Cloth of Gold."
HENRY THE EIGHTH.
Two leagues separated Arde and Guisnes, two leagues throughout which the spectacle extended, rich tents and glittering emblazonry occupying the whole space, the canvas habitations of the two nations meeting at the dividing-line between England and France. It was a splendid avenue arranged for the movements of the monarchs of these two great kingdoms.