"The homage he received at the Academy was merely the prelude to that which awaited him at the National theatre. As soon as his carriage was seen at a distance, there arose a universal shout of joy. All the curb-stones, all the barriers, all the windows, were crammed with spectators, and scarcely was the carriage stopped when people were already on the imperial and even on the wheels to get a nearer view of the divinity. Scarcely had he entered the house when Sieur Brizard came up with a crown of laurels, which Madame de Villette placed upon the great man's head, but which he immediately took off, though the public urged him to keep it on by clapping of hands and by cheers which resounded from all parts of the house with such a din as never was heard.
VOLTAIRE'S LAST VISIT TO PARIS.
"All the women stood up. I saw at one time that part of the pit which was under the boxes go down on their knees, in despair of getting a sight any other way. The whole house was darkened with the dust raised by the ebb and flow of the excited multitude. It was not without difficulty that the players managed at last to begin the piece. It was 'Irene,' which was given for the sixth time. Never had this tragedy been better played, never less listened to, never more applauded. The illustrious old man rose to thank the public, and, a moment afterwards, there appeared on a pedestal in the middle of the stage a bust of this great man, and the actresses, garlands and crowns in hand, covered it with laurels.
"M. de Voltaire seemed to be sinking beneath the burden of age and of the homage with which he had just been overwhelmed. He appeared deeply affected, his eyes still sparkled amidst the pallor of his face, but it seemed as if he breathed no longer save with the consciousness of his glory. The people shouted, 'Lights! lights! that everybody may see him!' The coachman was entreated to go at a walk, and thus he was accompanied by cheering and the crowd as far as Pont Royal."
This was a very different greeting from that which Voltaire had received fifty years before, when a nobleman with whom he had quarrelled had him beaten with sticks in the public street, and, when Voltaire showed an intention of making him answer at the sword's point for this outrage, had him seized and thrown into the Bastille by the authorities. This was but one of the several times he had been immured in this gloomy prison for daring to say what he thought about powers and potentates. But time brings its revenges. The Chevalier de Rohan, who had had the poet castigated, was forgotten except as the man who had dishonored himself in seeking to dishonor Voltaire, and the poet had become the idol of the people of Paris, high and low alike.
Voltaire was not the only great man in Paris at this period. There was another as great as he, but great in a very different fashion,—Benjamin Franklin, the American philosopher and statesman, as famous for common sense and public spirit as Voltaire was for poetical power and satirical keenness. These two great men met, and their meeting is worthy of description. The American envoys had asked permission to call on the veteran of literature, a request that was willingly granted when Voltaire learned that Franklin was one of the number. What passed between them may be briefly related.
They found the aged poet reclining on a couch, thin of body, wrinkled of face, evidently sick and feeble; yet his eyes, "glittering like two carbuncles," showed what spirit lay within his withered frame. As they entered, he raised himself with difficulty, and repeated the following lines from Thomson's "Ode to Liberty," a poem which he had been familiar with in England fifty years before.
"Lo! swarming southward on rejoicing suns,
Gay colonies extend, the calm retreat
Of undisturbed Distress, the better home
Of those whom bigots chase from foreign lands;
Not built on rapine, servitude, and woe,
And in their turn some petty tyrant's prey;
But bound by social Freedom, firm they rise."