Of all the great men who have lived upon the earth, conquerors, writers, inventors, and others, none have gained so wide a renown as this quiet Chinese moral teacher, whose fame has reached the ears of more millions of mankind than that of any other man who has ever lived. To-day his descendants form the only hereditary nobility in China, with the exception of those of his great disciple Mencius, who proved a worthy successor to the sage.
It is to Confucius that we owe nearly all we possess of the early literature of China. Of what are known as the "Five Classics," four are by his hand. The "Book of Changes," the oldest classic, was written by a mystic named Wan Wang, who lived about 1150 B.C. It is highly revered, but no one pretends to understand it. The works of Confucius include the "Book of History," the "Book of Odes," the "Book of Rites," and the "Spring and Autumn Annals," all of them highly esteemed in China for the knowledge they give of ancient days and ways.
The records of the early dynasties kept at the imperial court were closely studied by Confucius, who selected from them all that he thought worth preserving. This he compiled into the Shoo King, or "Book of History." The contents of this work we have condensed in the preceding tale. It consists mainly of conversations between the kings and their ministers, in which the principles of the patriarchal Chinese government form the leading theme. "Do not be ashamed of mistakes, and thus make them crimes," says one of these practical ministers.
The Le-ke, or "Book of Rites," compiled from a very ancient work, lays down exact rules of life for Chinamen, which are still minutely obeyed. The Chun Tsew, or "Spring and Autumn Annals," embraces a mere statement of events which occurred in the kingdom of Loo, and contains very little of historical and less of any other value. The "Book of Odes," on the contrary, possesses a great literary value, in preserving for us the poetic remains of ancient China.
Literature in that country, as elsewhere, seems to have begun with poetry, and of the songs and ballads of the early period official collections of considerable value were made. Not only at the imperial court, but at those of the feudal lords, there were literati whose duty it was to collect the songs of the people and diligently to preserve the historical records of the empire. From the latter Confucius compiled two of the books already named. There also fell into his hands an official collection of poems containing some three thousand pieces. These the sage carefully edited, selecting such of them as "would be serviceable for the inculcation of propriety and righteousness." These poems, three hundred and eleven in number, constitute the She King, or "Book of Odes," forming a remarkable collection of primitive verses which breathe the spirit of peace and simple life, broken by few sounds of war or revelry, but yielding many traces of family affection, peaceful repose, and religious feeling.
These are not the only remains of the ancient Chinese literature. There are four more books, which, with the five named, make up the "Nine Classics." These were written by the pupils and disciples of Confucius, the most important being the Mang tsze, or "Works of Mencius." They are records of the sayings and doings of the two sages Confucius and Mencius, whose remarkable precepts, like those of the Greek sage Socrates, would have been lost to the world but for the loving diligence of their disciples.
All this is not history in the ordinary sense. But the men described, and particularly Confucius, have had so potent an influence upon all that relates to Chinese life and history, that some brief account of them and their doings seemed indispensable to our work.
THE FOUNDER OF THE CHINESE EMPIRE.
In the year 246 B.C. came to the throne of China the most famous of all the monarchs of that ancient empire, the celebrated Hoangti,—Tsin Chi Hoang-ti, or "first sovereign emperor of the Tsins," to give him his full title. Various stories are told by Chinese historians of the origin of this great monarch, they denying that he was of royal blood. They say that he was the son of a woman slave who had been bought by the emperor, and that the boy's real father was a merchant, her former master. This story, whether true or false, gave the young emperor much trouble in later years. His mother, after he came to the throne, grew so dissipated that he was forced to punish her lover and banish her. And the merchant, his reputed father, being given a place at court, became eager for a higher position, and sought to influence the emperor by hints and whisperings of the secret hold he possessed over him. Hoangti was not the man to be dealt with in such a fashion, and the intriguing merchant, finding a storm of vengeance coming, poisoned himself to escape a worse fate.