And as he stumbled, willy-nilly, upon the Marquess kid, the Marquess kid joyously gathered him in and began raining enthusiastic rights and lefts upon the blanched and blue-veined face.

Suddenly Paul Burton woke to the fact that at his back was an extremely solid wall; on his right an equally impassable fence; on his left his implacable brother and at his front—nothing but the Marquess kid.

Of the four obstacles Jimmy seemed the most vulnerable, and upon him Paul hurled himself with the exalted frenzy of a single idea: an idea of boring his way out of an insupportable position. That Jimmy's blows hurt him so little astonished him, and under the spur of fear he fought with such abandon that to Ham's face came a slow grin of contentment and to that of the Marquess kid an expression of pained amazement, followed by one of sudden panic. Of this particular mouse, the cat had had enough and amid jeers of derision the cat withdrew with more of haste than of dignity in his departure.

But five minutes later as Paul trudged along the forest path toward his home, the unaccustomed light of battle that had momentarily kindled in his eyes began to fade. There glowed in them no such lasting triumph as should come from a boy's first victory. Instead, they wore again the far-away look of dreamy pensiveness. Already, his thoughts were back in their own world, a world peopled with fancies and panoplied with imaginings. Suddenly he halted, and threw back his head, intently listening. High and far away came the honking cry of wild geese in flight; travelers of the upper air-paths, winging their way southward. Distance softened the harshness of their journeying clamor into a note of appealing wanderlust.

Paul's lips were parted and his eyes aglow. The memory of the fight he had dreaded was effaced; the bruises on his sensitive face were forgotten. His heart was drinking an elixir through his ears, and at the sounds floating down from the heights new fancies leaped within him.

Ham with his eyes shrewdly fixed upon his brother swung his books to his other hand and shrugged his shoulders. He, too, was looking in fancy beyond the misty hills, but not to the flight of geese. He saw cities with shaft-like structures biting the sky and dark banners of smoke floating above the clash of conflict. His heart was burning to be at the center of that conflict.

He, too, heard a song of sirens, but it was such a song as Richard Whittington heard when bare-footed in Pauntley the notes of the Bow bells stole out to him:

"Sang of a city that was blazoned like a missal-book,
Black with oaken gables, carven and inscrolled;
Every street a colored page, every sign a hieroglyph,
Dusky with enchantments, a city paved with gold."

Then he gazed about the desolate country where morning wore to night in a sequence of hard chore upon hard chore, and he groaned between his set teeth.

Here and there along the way stood deserted houses where the wind searched the interiors through the eyeless sockets of unglazed windows and where the roof-trees were broken and twisted. They were blighting symbols of this soul-breaking existence in a land of abandoned farms where Opportunity never came. They were mutely eloquent of surrender after struggle. They summed up the hazard of life where to abate the fight and rest meant to lose the fight and starve.