When Samson had heard that signal of the gunshots from a distant peak, he had risen from the rock where he sat with Sally. He had said nothing of the issue he must go to meet; nothing of the enemies who had brought dogs, confident that they would make their run straight to his lair. That subject had not been mentioned between them since he had driven Tamarack away that afternoon, and reassured her. He had only risen casually, as though his action had no connection with the signal of the rifles, and said:

"Reckon I'll be a-goin'."

And Sally had said nothing either, except good-by, and had turned her face toward her own side of the ridge, but, as soon as he had passed out of sight, she had wheeled and followed noiselessly, slipping from rhododendron clump to laurel thicket as stealthily as though she were herself the object of an enemy's attack. She knew that Samson would have sent her back, and she knew that a crisis was at hand, and that she could not support the suspense of awaiting the news. She must see for herself.

And now, while the stage was setting itself, the girl crouched trembling a little way up the hillside, at the foot of a titanic poplar. About her rose gray, moss-covered rocks and the fronds of clinging ferns. At her feet bloomed wild flowers for which she knew no names except those with which she had herself christened them, "sunsetty flowers" whose yellow petals suggested to her imagination the western skies, and "fairy cups and saucers."

She was not trembling for herself, though, if a fusillade broke out below, the masking screen of leafage would not protect her from the pelting of stray bullets. Her small face was pallid, and her blue eyes wide-stretched and terrified. With a catch in her throat, she shifted from her crouching attitude to a kneeling posture, and clasped her hands desperately, and raised her face, while her lips moved in prayer. She did not pray aloud, for even in her torment of fear for the boy she loved, her mountain caution made her noiseless—and the God to whom she prayed could hear her equally well in silence.

"Oh, God," pleaded the girl, brokenly, "I reckon ye knows thet them Hollmans is atter Samson, an' I reckons ye knows he hain't committed no sin. I reckon ye knows, since ye knows all things, thet hit'll kill me ef I loses him, an' though I hain't nobody but jest Sally Miller, an' ye air Almighty God, I wants ye ter hear my prayin', an' pertect him."

Fifteen minutes later, Lescott, standing at the fence, saw a strange cavalcade round the bend of the road. Several travel-stained men were leading mules, and holding two tawny and impatient dogs in leash. In their number, the artist recognized his host of two nights ago.

They halted at a distance, and in their faces the artist read dismay, for, while the dogs were yelping confidently and tugging at their cords, young Samson South—who should, by their prejudiced convictions, be hiding out in some secret stronghold—sat at the top step of the stile, smoking his pipe, and regarded them with a lack-luster absence of interest. Such a calm reception was uncanny. The trailers felt sure that in a moment more the dogs would fall into accusing excitement. Logically, these men should be waiting to receive them behind barricaded doors. There must be some hidden significance. Possibly, it was an invitation to walk into ambuscade. No doubt, unseen rifles covered their approach, and the shooting of Purvy was only the inaugural step to a bloody and open outbreak of the war. After a whispered conference, the Lexington man came forward alone. Old Spicer South had been looking on from the door, and was now strolling out to meet the envoy, unarmed.

And the envoy, as he came, held his hands unnecessarily far away from his sides, and walked with an ostentatious show of peace.

"Evenin', stranger," hailed the old man. "Come right in."