"But how"—there was desperation of panic in the question—"how could I—save him?"
"He needs savin' from hisself, ma'am. Thar's a train of cars leavin' Looeyville nigh on midnight. Ef ye teks hit I'll meet ye at ther station when ye gets thar in ther mornin'. Him an' me is leavin' on one thet starts from hyar an hour from now. Thet's all I kin say afore I sees ye—save thet matters are plumb desperate."
"But I can't—I don't see how—"
Anne had never quite realized such a quietly unbending sternness as that of the voice which interrupted her:
"Ef ye don't aim ter stand by an' see his ruin, ye needs must find a way. Jest come, thet's all—an' come alone. No other way won't do. I'll be at ther deppo."
And the receiver clicked with a finality that brooked no argument, leaving the girl leaning unsteadily against the wall of the booth. She opened the heavy door a little but did not go out. From the dining-room came a sally of laughing voices, and from the dancing floor haunting scraps of the "Merry Widow" waltz. A clock across the passage ticked above these sounds, and on its dial the hands stood at eight forty-five.
Upon her ears these impressions fell with a sense of remoteness and lightness as if they could be thrust away, but more oppressive and close was the unnamed something brooding in the hills two hundred miles—yes, and two centuries—away.
She knew that she stood at one of those unequivocal moments that cannot be met with life's ordered deliberation. By tomorrow things might be done which could never be undone. An hour hence, decision would be the harder for newly recognized difficulties. The penalty of faltering might be a life of self-accusation for herself—for Boone a tragedy.
She had assured herself with passionate reiteration that Boone was a character in a chapter torn out of her life, but the heartache remained in stubborn mutiny against that ordaining. It had been first gnawingly, then fiercely, present while she laughed and talked at the table with an effervescence no more natural than that pumped into artificially charged wine, and she had needed no death's-head to sober her against too abandoned a gaiety at that feast. Joe Gregory's words had, for all their want of explicitness, been inescapably definite. They meant ruin—no less—unless she intervened and came at once.
To go meant to stir tempests in teapots—to defy conventions, and perhaps by a vapidly rigid interpretation, to compromise herself. To refuse to go meant to abandon Boone to some undescribed, and therefore doubly terrifying, disaster.