Soon he made it out below him, to his right, and slowly he trained his rifle upon the breast beneath the face.
That was all he had to do for the present—except to wait.
When Asa came in, if matters went badly and if Tom made a motion to his holster or a gesture to his minions, there would be one thing more, but it involved only the crooking of a finger which snuggled ready in the trigger-guard.
The boy's muscles were badly cramped up there as the minutes lengthened and multiplied. The timber was hard and the air chill, but he dared not invite discovery by free movement.
Then suddenly with a short and incisive sentence following on longer and more rounded phrases, the speaker fell silent. Boone could not properly appreciate the ready adroitness with which General Prince had clipped his oratory short without the seeming of a marred effect. He only knew that the voice spoke crisply and halted and that the speaker was reaching out his hand, with matter-of-fact gesture, toward the gourd in the water bucket on the table.
Instantly the shuffling of feet grated its signal of an awakening apprehension—an uneasiness which had been temporarily lulled. There was an instant, after that, of dead hush, and then a twisting of necks as all eyes went to the door.
The men on each side of the house drew a little closer and more compactly together, widening and emphasizing the line of the aisle between; becoming two distinct crowds where there had been one, loosely joined. Hands gestured instinctively toward guns laid by, and halted in cautious abeyance. Through the cobwebbed spaciousness and breathless quiet of the place sounded the ill-omened quaver of a barn owl.
In the door stood Asa Gregory, his hands hanging at his sides with a studied inertness as his eyes travelled slowly, appraisingly, about the place. His attitude and expression alike were schooled into passiveness, but as he saw another figure rise from just in front of the stage and stand in momentary irresolution, the muscles of his jaw hardened and into his eyes flashed a defiant gleam. His lids contracted to the narrowness of slits, as though struggling to shut out some sudden and insufferable glare. His chest heaved in a gasp-like breath and the hands which he sought to keep hanging, slowly closed and clenched as muscles tauten under an electric shock. Then, as if in obedience to impulses beyond volition, the right hand came upward toward the left armpit—where his pistol holster should have been.
At the sight of his enemy rising there before him, Asa Gregory had seen red, and the length of the aisle away, Tom Carr stood struggling with an identical transport of reeling self-control. Like a reflection in a mirror his face too blackened in sinister hatred and his hand too moved toward the empty holster.
The strained tableau held only for a breathing space, but it was long enough for acceptance as a signal. It was long enough to afford the orator of the evening a swift, photographic impression of flambeaux giving back the glint of drawn pistols to right and left of the aisle; of the ducking of timid heads; of a crowd holding a pose as tense and ready as runners set on their marks—yet breathlessly awaiting the overt signal.