From her hammock she watched him with serene and inscrutable complacency, from under long, half-closed lashes. In his gaze was inarticulate wrath, but back of that—idolatry. He had from birth breathed an atmosphere of traditions in which the word "chivalry" was defined, not as an obsolete term, but as a thing still kept sacredly aflame in the hearts of gentlemen. To the stilted gallantry of his boyhood, ideals had meant more than ideas until Conscience Williams had come from her home on Cape Cod and turned his life topsy-turvy. Since her advent he had dreamed only of dark eyes and darker hair and crimson lips. He had rehearsed eloquent and irresistible speeches, only to have them die on a tongue which swelled painfully and clove to the roof of his mouth when he essayed their utterance. Then had come an inspiration. The stirring narration of how the Newmarket cadets had charged the Northern guns was to have been his cue, carrying him with the momentum of its intrinsic heroism over the ramparts of tongue-tied shyness. That was what he had essayed this morning, aided and abetted by the tuneful fragrance of June in Virginia. The stage had been set—his courage had mounted—and before he had reached his magnificent peroration, she had laughed at him. Ye Gods! She had affronted the erstwhile Confederate States of America and his spirit was galled.
Suddenly Conscience looked up and met his gaze penitently. It was a change from mockery so swift and complete that he should have suspected it, but he saw only a flash of sun through dark clouds.
"Do you like poetry?" she abruptly demanded.
"Like poetry!" Again the boy's countenance needed a twinkle of merriment to redeem it from a too serious acceptance of self. "Not to like poetry—if it's real poetry—is simply to be a plain clod." He spoke with an oracular and pedantic assurance which challenged the girl's mischief afresh.
"Shall I recite you something?" was her mild and seemingly placating suggestion, "just to see if it is real poetry?"
"Will you? I wish you would." He bent forward in eager anticipation. Verse should pave the way with music for the avowal which he had so far failed to force across the barrier between heart and lips.
She rose from the hammock and stood beside one of the broad verandah pillars, very straight and slender and flower-like, with the June sun on her hair. Stuart's heart was conscious of a sudden glow. A boy new to love, like a man new to drink, can recognize from a sip an elation that the jaded taste has forever forfeited. Then in a rich voice with a slightly exaggerated elocution, Conscience began:
"Up from the meadows, rich with corn, clear in the cool September morn,
The clustered spires of Frederick stand, green-walled by the hills of Maryland."
Those schools wherein the last of the Farquaharsons had derived his primary education had not starred or featured the poems of John Greenleaf Whittier. Stuart's eyes dwelt devouringly on the elocutionist—as yet unruffled by suspicion. They were doing their best to say the things at which his lips balked. But as the recitation proceeded their light died from hope to misery and from misery to the anger of hurt pride. He stood very rigid and very attentive, making no effort to interrupt, but holding her gaze defiantly as she went on: