"Thet's a fair thing," he said slowly at last. "Drinkin' hain't hardly a thing a gal kin understand noways. I hain't jest a common drunkard, Blossom. Thar's times though when I feels es ef I war a-livin' in a jail-house—an' seekin' ter git free. Thar's su'thin' in me—I don't know jest what—thet's always fightin'. These hyar hills with their ign'rance an' dirt an' poverty seems ter be on top of me 'stid of underneath me. Thet's when I drinks too much. Fer a little spell I seems ter dream I'm free."

A few minutes later the girl started down the "yon" side of the wooded slope, going with a light step and humming a ballade that had come across the sea with the beginnings of America, and the boy looked after her with a passionate tenderness that was far from stoical.

If most of his dreams were intangible and misty, this, his greatest and brightest dream, was at least clear and vivid.

When he could no longer see the flash of her blue dress between the interlacing branches he turned, and drawing his sack of sprouted corn out of its hiding place, hefted it to his shoulders. He would have to hurry now to finish his task and get back by dusk.

CHAPTER III

Old man Bud Jason stood at the door of his tub-mill, leaning on the long hickory staff which he always carried. He stood gauntly tall even now that his once-broad shoulders sagged and his mane of hair was white, and from his lips came a querulous mumbling as though he were awaiting some one tardy of arrival. At last, though, he gave a grunt of relief when the thicket far above him stirred and the figure of Bear Cat Stacy appeared, bending under his load of grist.

He turned then into the shack and drew out a sack of meal from the bottom of a pile, and as he finished this task a shadow fell across the door. Turner Stacy let his burden fall and availed himself of the opportunity to drop into a sitting posture on the step of the shanty, resting his back against a post. His broad chest heaved and a profound sigh of relief broke from his panting lips. The old miller stood regarding him for a little while without words, then broke into volcanic utterance:

"Hell's banjer! May God Almighty holp a country whar a young pa'r of shoulders like your'n don't find no worthier use than man-powerin' good corn acrost ther ridges ter turn hit inter bad licker."

Turner Stacy glanced up with mild surprise for the sentiment.

"I hain't nuver heered ye cavil with a man's license ter use his own corn as he sees fit, afore, Bud," was his casual reply, and the white-bearded one wagged his head and laughed tremulously after the fashion of the old.