After the play the Masons returned to the lodge at Mr. Shepheard’s, in the same order observed in coming to the Play House.

Mad Tom’s song must have been taken from “King Lear,” and, if so, is the first recorded instance of the production of any of Shakespeare’s works on this continent.

The most careful search has failed to find any mention of plays for some years, but a map of Charlestown dated 1738 marks the site of the theater on the south side of Queen, a little west of Church street, on the lot of land now occupied by the rear portion of the old Planters’ Hotel, within less than a hundred yards of the Huguenot and St. Philip’s Churches, and in October, 1743, a ball is advertised to take place at the theater in Queen street.

A similar notice appears in the paper for November 19, 1774, and the next link is an advertisement in the “Gazette,” October 3, 1748, of a school “over against the Play House,” and the following extract from “an exhortation to the inhabitants of South Carolina,” written by a Quakeress, Sophia Hume, in 1748, and published in London in 1752.

The good lady, after setting forth the sins of the people of the province, says: “You have no masquerades nor music gardens to entertain you, neither are theatrical entertainments frequent among you,” which implies that they took place sometimes.

May her shade grant pardon for the use of her book in an article on the play-house.

But Sophia Hume exhorted in vain, for the “Gazette,” in its issue for October 3, 1754, contains this rather contradictory advertisement:

“At the New Theatre on Monday next, (by a company of comedians from London,) a tragedy called the ‘Fair Penitent.’ Tickets to be had of Mr. John Remington and at the printer’s. Price, stage box 50s.; front and side boxes, 40s.; pitt, 30s., and gallery, 20s.”

The “Gazette” dramatic reporter says of the play: “Last Monday evening the New Theatre in this town was opened, when a company of comedians performed the tragedy called the ‘Fair Penitent,’ much to the satisfaction of the audience.”

The theatrical history of Charleston from this time on, however, is familiar.[19]