She then asked Mabel, in her half-sorrowful, half-bitter way, how many months it would be ere she was forgotten.
Mabel answered by quietly crying. So then they embraced; and Mabel assured her friend she was not one of those who change their minds. “It is for life, dear sister; it is for life,” cried she.
“Swear this to me,” said the other, almost sternly. “But no. I have more confidence in that candid face and pure nature than in a human being's oath. If you are happy, remember you owe me something. If you are unhappy, come to me, and I will love you as men cannot love.”
Then vows passed between them, for a singular tie bound these two women; and then the actress showed a part at least of her sore heart to her new sister; and that sister was surprised and grieved, and pitied her truly and deeply, and they wept on each other's neck; and at last they were fain to part. They parted; and true it was, they never met again in this world. They parted in sorrow; but when they meet again, it shall be with joy.
Women are generally such faithless, unscrupulous and pitiless humbugs in their dealings with their own sex—which, whatever they may say, they despise at heart—that I am happy to be able to say, Mrs. Vane proved true as steel. She was a noble-minded, simple-minded creature; she was also a constant creature. Constancy is a rare, a beautiful, a godlike virtue.
Four times every year she wrote a long letter to Mrs. Woffington; and twice a year, in the cold weather, she sent her a hamper of country delicacies that would have victualed a small garrison. And when her sister left this earthly scene—a humble, pious, long-repentant Christian—Mrs. Vane wore mourning for her, and sorrowed over her; but not as those who cannot hope to meet again.
My story as a work of art—good, bad or indifferent—ends with that last sentence. If a reader accompanies me further, I shall feel flattered, and he does so at his own risk.
My reader knows that all this befell long ago. That Woffington is gay, and Triplet sad, no more. That Mabel's, and all the bright eyes of that day, have long been dim, and all its cunning voices hushed. Judge then whether I am one of those happy story-tellers who can end with a wedding. No! this story must wind up, as yours and mine must—to-morrow—or to-morrow—or to-morrow! when our little sand is run.
Sir Charles Pomander lived a man of pleasure until sixty. He then became a man of pain; he dragged the chain about eight years, and died miserably.