How solemn and calm stands the great round tower of living wood, half ebony, half silver, with its mighty cloud above of flake jet leaves tipped with frosty fire!
Now is the still hour to repeat in a whisper the words of the dame of Beaurepaire, “You were here before us: you will be here when we are gone.”
We leave the hoary king of trees standing in the moonlight, calmly defying time, and follow the creatures of a day; for, what they were, we are.
A spacious saloon panelled; dead but showy white picked out sparingly with gold. Festoons of fruits and flowers finely carved in wood on some of the panels. These also not smothered in gilding, but as it were gold speckled here and there, like tongues of flame winding among insoluble snow. Ranged against the walls were sofas and chairs covered with rich stuffs well worn. And in one little distant corner of the long room a gray-haired gentleman and two young ladies sat round a small plain table, on which burned a solitary candle; and a little way apart in this candle’s twilight an old lady sat in an easy-chair, thinking of the past, scarce daring to inquire the future. Josephine and Rose were working: not fancy-work but needle-work; Dr. Aubertin writing. Every now and then he put the one candle nearer the girls. They raised no objection: only a few minutes after a white hand would glide from one or other of them like a serpent, and smoothly convey the light nearer to the doctor’s manuscript.
“Is it not supper-time?” he inquired. “I have an inward monitor; and I think our dinner was more ethereal than usual.”
“Hush!” said Josephine, and looked uneasily towards her mother. “Wax is so dear.”
“Wax?—ah!—pardon me:” and the doctor returned hastily to his work. But Rose looked up and said, “I wonder Jacintha does not come; it is certainly past the hour;” and she pried into the room as if she expected to see Jacintha on the road. But she saw in fact very little of anything, for the spacious room was impenetrable to her eye; midway from the candle to the distant door its twilight deepened, and all became shapeless and sombre. The prospect ended sharp and black, as in those out-o’-door closets imagined and painted by a certain great painter, whose Nature comes to a full stop as soon as he has no further commercial need of her, instead of melting by fine expanse and exquisite gradation into genuine distance, as nature does in Claude and in nature. To reverse the picture, if you stood at the door you looked across forty feet of black, and the little corner seemed on fire, and the fair heads about the candle shone like the St. Cecilias and Madonnas in an antique stained-glass window.
At last the door opened, and another candle fired Jacintha’s comely peasant face in the doorway. She put down her candle outside the door, and started as crow flies for the other light. After glowing a moment in the doorway she dived into the shadow and emerged into light again close to the table with napkins on her arm. She removed the work-box reverentially, the doctor’s manuscript unceremoniously, and proceeded to lay a cloth: in which operation she looked at Rose a point-blank glance of admiration: then she placed the napkins; and in this process she again cast a strange look of interest upon Rose. The young lady noticed it this time, and looked inquiringly at her in return, half expecting some communication; but Jacintha lowered her eyes and bustled about the table. Then Rose spoke to her with a sort of instinct of curiosity, on the chance of drawing her out.
“Supper is late to-night, is it not, Jacintha?”
“Yes, mademoiselle; I have had more cooking than usual,” and with this she delivered another point-blank look as before, and dived into the palpable obscure, and came to light in the doorway.