Melmoth the Wanderer, Vol. 3

by Charles Robert Maturin

“Concealment, however, was not in her thoughts. When he found her, she was leaning against a rock; the ocean was pouring its eternal murmur of waters at her feet; she had chosen the most desolate spot she could find;—there was neither flower or shrub near her;—the calcined rocks, the offspring of volcano—the restless roar of the sea, whose waves almost touched her small foot, that seemed by its heedless protrusion at once to court and neglect danger—these objects were all that surrounded her. The first time he had beheld her, she was embowered amid flowers and odours, amid all the glorious luxuries of vegetable and animal nature; the roses and the peacocks seemed emulous which should expand their leaves or their plumes, as a shade to that loveliness which seemed to hover between them, alternately borrowing the fragrance of the one, and the hues of the other. Now she stood as if deserted even by nature, whose child she was; the rock was her resting-place, and the ocean seemed the bed where she purposed to rest; she had no shells on her bosom, no roses in her hair—her character seemed to have changed with her feelings; she no longer loved all that is beautiful in nature; she seemed, by an anticipation of her destiny, to make alliance with all that is awful and ominous. She had begun to love the rocks and the ocean, the thunder of the wave, and the sterility of the sand,—awful objects, the incessant recurrence of whose very sound seems intended to remind us of grief and of eternity. Their restless monotony of repetition, corresponds with the beatings of a heart which asks its destiny from the phenomena of nature, and feels the answer is—“Misery.”

“Those who love may seek the luxuries of the garden, and inhale added intoxication from its perfumes, which seem the offerings of nature on that altar which is already erected and burning in the heart of the worshipper;—but let those who have loved seek the shores of the ocean, and they shall have their answer too.

“There was a sad and troubled air about her, as she stood so lonely, that seemed at once to express the conflict of her internal emotions, and to reflect the gloom and agitation of the physical objects around her; for nature was preparing for one of those awful convulsions—one of those abortive throes of desolation, that seems to announce a more perfect wrath to come; and while it blasts the vegetation, and burns up the soil of some visited portion, seems to proclaim in the murmur of its receding thunders, that it will return in that day, when the universe shall pass away as a scroll, and the elements melt with fervent heat, and return to fulfil the dreadful promise, which its partial and initiatory devastation has left incomplete. Is there a peal of thunder that does not mutter a menace, “For me, the dissolution of the world is reserved, I depart, but I shall return?” Is there a flash of lightning that does not say, visibly, if not audibly, “Sinner, I cannot now penetrate the recesses of your soul; but how will you encounter my glare, when the hand of the judge is armed with me, and my penetrating glance displays you to the view of assembled worlds?”

“The evening was very dark; heavy clouds, rolling on like the forces of an hostile army, obscured the horizon from east to west. There was a bright but ghastly blue in the heaven above, like that in the eye of the dying, where the last forces of life are collected, while its powers are rapidly forsaking the frame, and feeling their extinguishment must shortly be. There was not a breath of air to heave the ocean,—the trees drooped without a whisper to woo their branches or their buds,—the birds had retired, with that instinct which teaches them to avoid the fearful encounter of the elements, and nestled with cowering wings and drooping heads among their favourite trees. There was not a human sound in the isle; the very rivulet seemed to tremble at its own tinklings, and its small waves flowed as if a subterranean hand arrested and impeded their motion. Nature, in these grand and terrific operations, seems in some degree to assimilate herself to a parent, whose most fearful denunciations are preceded by an awful silence, or rather to a judge, whose final sentence is felt with less horror than the pause that intervenes before it is pronounced.

“Immalee gazed on the awful scene by which she was surrounded, without any emotion derived from physical causes. To her, light and darkness had hitherto been the same; she loved the sun for its lustre, and the lightning for its transitory brilliancy, and the ocean for its sonorous music, and the tempest for the agitation which it gave to the trees, under whose bending and welcoming shadow she danced, in time kept by the murmur of their leaves, that hung low, as if to crown their votarist. And she loved the night, when all was still, but what she was accustomed to call the music of a thousand streams, that made the stars rise from their beds, to sparkle and nod to that wild melody.

“Such she had been. Now, her eye was intently fixed on the declining light, and the approaching darkness,—that preternatural gloom, that seems to say to the brightest and most beautiful of the works of God, “Give place to me, thou shalt shine no more.”

“The darkness increased, and the clouds collected like an army that had mustered its utmost force, and stood in obdured and collected strength against the struggling light of heaven. A broad, red, and dusky line of gloomy light, gathered round the horizon, like an usurper watching the throne of an abdicated sovereign, and expanding its portentous circle, sent forth alternately flashes of lightning, pale and red;—the murmur of the sea increased, and the arcades of the banyan-tree, that had struck its patriarchal root not five hundred paces from where Immalee stood, resounded the deep and almost unearthly murmur of the approaching storm through all its colonnades; the primeval trunk rocked and groaned, and the everlasting fibres seemed to withdraw their grasp from the earth, and quiver in air at the sound. Nature, with every voice she could inspire from earth, or air, or water, announced danger to her children.

“That was the moment the stranger chose to approach Immalee; of danger he was insensible, of fear he was unconscious; his miserable destiny had exempted him from both, but what had it left him? No hope—but that of plunging others into his own condemnation. No fear—but that his victim might escape him. Yet with all his diabolical heartlessness, he did feel some relentings of his human nature, as he beheld the young Indian; her cheek was pale, but her eye was fixed, and her figure, turned from him, (as if she preferred to encounter the tremendous rage of the storm), seemed to him to say, “Let me fall into the hands of God, and not into those of man.”

“This attitude, so unintentionally assumed by Immalee, and so little expressive of her real feelings, restored all the malignant energies of the stranger’s feelings; the former evil purposes of his heart, and the habitual character of his dark and fiendish pursuit, rushed back on him. Amid this contrasted scene of the convulsive rage of nature, and the passive helplessness of her unsheltered loveliness, he felt a glow of excitement, like that which pervaded him, when the fearful powers of his “charmed life” enabled him to penetrate the cells of a madhouse, or the dungeons of an Inquisition.

“He saw this pure being surrounded by the terrors of nature, and felt a wild and terrible conviction, that though the lightning might blast her in a moment, yet there was a bolt more burning and more fatal, which was wielded by his own hand, and which, if he could aim it aright, must transfix her very soul.