After these general reflections upon Paganism, it is time to proceed to a particular account of the religion of the Greeks. I shall reduce this subject, though infinite in itself, to four articles, which are, 1. The feasts. 2. The oracles, auguries, and divinations. 3. The games and combats. 4. The public shows and representations of the theatre. In each of these articles, I shall treat only of what appears most worthy of the reader's curiosity, and has most relation to this history. I omit saying any thing of sacrifices, having given a sufficient idea of them elsewhere.[53]
Of the Feasts.
An infinite number of feasts were celebrated in the several cities of Greece, and especially at Athens, of which I shall describe only three of the most famous, the Panathenea, the feasts of Bacchus, and those of Eleusis.
The Panathenea.
This feast was celebrated at Athens in honour of Minerva, the tutelary goddess of that city, to which she gave her name,[54] as well as to the feast of which we are speaking. Its institution [pg xxix] was ancient, and it was called at first the Athenea; but after Theseus had united the several towns of Attica into one city, it took the name of Panathenea. These feasts were of two kinds, the great and the less, which were solemnized with almost the same ceremonies; the less annually, and the great upon the expiration of every fourth year.
In these feasts were exhibited racing, the gymnastic combats, and the contentions for the prizes of music and poetry. Ten commissaries, elected from the ten tribes, presided on this occasion, to regulate the forms, and distribute the rewards to the victors. This festival continued several days.
In the morning of the first day a race was run on foot, in which each of the runners carried a lighted torch in his hand, which they exchanged continually with each other without interrupting their race. They started from the Ceramicus, one of the suburbs of Athens, and crossed the whole city. The first that came to the goal, without having put out his torch, carried the prize. In the afternoon they ran the same course on horseback.
The gymnastic or athletic combats followed the races. The place for that exercise was upon the banks of the Ilissus, a small river, which runs through Athens, and empties itself into the sea at the Piræus.
Pericles first instituted the prize of music. In this dispute were sung the praises of Harmodius and Aristogiton who, at the expense of their lives, delivered Athens from the tyranny of the Pisistratidæ; to which was afterwards added the eulogium of Thrasybulus, who expelled the thirty tyrants. The prize was warmly disputed, not only amongst the musicians, but still more so amongst the poets; and it was highly glorious to be declared victor in this contest. Æschylus is reported to have died with grief upon seeing the prize adjudged to Sophocles, who was much younger than himself.
These exercises were followed by a general procession, wherein was carried, with great pomp and ceremony, a sail, embroidered with gold, on which were curiously delineated the warlike actions of Pallas against the Titans and Giants. This sail was affixed to a vessel which bore the name of the goddess. The vessel, equipped with sails, and with a thousand oars, was conducted from the Ceramicus to the temple of Eleusis, not by horses or beasts of draught, but by machines concealed in the bottom of it, which put the oars in motion, and made the vessel glide along.