I have observed, that one of the alterations made by Æschylus in tragedy, was the mask worn by his actors. These dramatic masks had no resemblance to ours, which only cover the face, but were a kind of case for the whole head, and which, besides the features, represented the beard, the hair, the ears, and even the ornaments used by women in their head-dresses. These masks varied according to the different pieces that were acted. The subject is treated at large in a dissertation of M. Boindin's, inserted in the Memoirs of the Academy of Belles Lettres.[182]
I could never comprehend, as I have observed elsewhere,[183] in speaking of pronunciation, how masks came to continue so long upon the stage of the ancients; for certainly they could not be used, without considerably deadening the spirit of the action, which is principally expressed in the countenance, the seat and mirror of what passes in the soul. Does it not often happen, that the blood, according as it is put in motion by different passions, sometimes covers the face with a sudden and modest blush, sometimes enflames it with the heat of rage and fury, sometimes retires, leaving it pale with fear, and at others diffuses a calm and amiable serenity over it? All these affections are strongly imaged and distinguished in the lineaments of the face. The mask deprives the features of this [pg lxxxii] energetic language, and of that life and soul, by which it is the faithful interpreter of all the sentiments of the heart. I do not wonder, therefore, at Cicero's remark upon the action of Roscius.[184] “Our ancestors,”' says he, “were better judges than we are. They could not wholly approve even Roscius himself, whilst he performed in a mask.”
A.M. 3509. Ant. J.C. 495.
Æschylus was in the sole possession of the glory of the stage, with almost every voice in his favour, when a young rival made his appearance to dispute the palm with him. This was Sophocles. He was born at Colonos, a town in Attica, in the second year of the seventy-first Olympiad. His father was a blacksmith, or one who kept people of that trade to work for him. His first essay was a masterpiece.
A.M. 3534. Ant. J.C. 470.
When, upon the occasion of Cimon's having found the bones of Theseus, and their being brought to Athens, a dispute between the tragic poets was appointed, Sophocles entered the lists with Æschylus, and carried the prize against him. The ancient victor, laden till then with the wreaths he had acquired, believed them all lost by failing of the last, and withdrew in disgust into Sicily to king Hiero, the protector and patron of all the learned in disgrace at Athens. He died there soon after in a very singular manner, if we may believe Suidas. As he lay asleep in the fields, with his head bare, an eagle, taking his bald crown for a stone, let a tortoise fall upon it, which killed him. Of ninety, or at least seventy, tragedies, composed by him, only seven are now extant.
Nor have those of Sophocles escaped the injury of time better, though one hundred and seventeen in number, and according to some one hundred and thirty. He retained to extreme old age all the force and vigour of his genius, as appears from a circumstance in his history. His children, unworthy of so great a father, upon pretence that he had lost his senses, summoned him before the judges, in order to obtain a decree, that his estate might be taken from him, and put into their hands. He made no other defence, than to read a tragedy he was at that time composing, called Œdipus at Colonos, with which the judges were so charmed, that he carried his cause unanimously; and his children, detested by the whole assembly, got nothing by their suit, but the shame and infamy due to so flagrant ingratitude. He was twenty times crowned victor. Some say he expired in repeating his Antigone, for [pg lxxxiii] want of power to recover his breath, after a violent endeavour to pronounce a long period to the end; others, that he died of joy upon his being declared victor, contrary to his expectation. The figure of a hive was placed upon his tomb, to perpetuate the name of Bee, which had been given him, from the sweetness of his verses: whence, it is probable, the notion was derived, of the bees having settled upon his lips when in his cradle.
A.M. 3599. Ant. J.C. 405.
He died in his ninetieth year, the fourth of the ninety-third Olympiad, after having survived Euripides six years, who was not so old as himself.
A.M. 3524. Ant. J.C. 480.