There is the familiar window—that dull outline across the room. Here is the accustomed door. The bed is set between. It was but a dream after all. And yet how it has shaken me!
Of course the dream was absurd. No man—no nation certainly—could be so mad. The whole whirling earth could not burn with fire. Until the final trumpet, no such calamity is possible. Thank God, it was but a dream, and I can continue today my peaceful occupation.
Calico, I'm told, is going up. I must protect our contracts.
On Going Afoot.
here is a tale that somewhere in the world there is a merry river that dances as often as it hears sweet music. The tale is not precise whether this river is neighbor to us or is a stream of the older world. "It dances at the noise of musick," so runs the legend, "for with musick it bubbles, dances and grows sandy." This tale may be the conceit of one of those older poets whose verses celebrate the morning and the freshness of the earth—Thomas Heywood could have written it or even the least of those poets who sat their evenings at the Mermaid—or the tale may arise more remotely from an old worship of the god Pan, who is said to have piped along the streams. I offer my credence to the earlier origin as the more pleasing. And therefore on a country walk I observe the streams if by chance any of them shall fit the tale. Not yet have I seen Pan puffing his cheeks with melody on a streamside bank—by ill luck I squint short-sightedly—but I often hear melodies of such woodsy composition that surely they must issue from his pipe. The stream leaps gaily across the shallows that glitter with sunlight, and I am tempted to the agreeable suspicion that I have hit upon the very stream of the legend and that the god Pan sits hard by in the thicket and beats his shaggy hoof in rhythm. It is his song that the wind sings in the trees. If a bird sings in the meadow its tune is pitched to Pan's reedy obligato.