Wurm went to a shelf and took down a volume. He blew off the dust and smoothed its sides. "Listen to this!" he said. "Picked up the volume at Schulte's, on the twenty-five cent table. 'A love of the country is taken,'" he read, "'I know not why, to indicate the presence of all the cardinal virtues.... We assert a taste for sweet and innocent pleasures and an indifference to the feverish excitements of artificial society. I, too, like the country,...' (you'll like this, Flint) 'but I confess—to be duly modest—that I love it best in books. In real life I have remarked that it is frequently damp and rheumatic, and most hated by those who know it best.... Though a cockney in grain, I love to lean upon the farmyard gate; to hear Mrs. Poyser give a bit of her mind to the squire; to be lulled into a placid doze by the humming of Dorlecote Mill; to sit down in Dandie Dinmont's parlour ... or to drop into the kitchen of a good old country inn, and to smoke a pipe with Tom Jones or listen to the simple-minded philosophy of Parson Adams.'"

"You hit on a good one then," said Flint. "And now as I was saying—"

Wurm interposed. "Just a moment, Flint! You think that that quotation supports your side of the discussion. Not at all. It shows merely that sometimes we get greater reality from books than we get from life. Leslie Stephen liked the real country, also. In his holidays he climbed the Swiss mountains—wrote a book about them—it's on that top shelf. Don't you remember how he loved to roll stones off a cliff? And as a pedestrian he was almost as famous as George Borrow—walked the shirt off his back before his college trustees and all that sort of thing. But he got an even sharper reality from books. He liked the city, too, but in many a mood, there's no doubt about it, he preferred to walk to Charing Cross with Doctor Johnson in a book, rather than to jostle on the actual pavement outside his door."

"Speed up, Wurm!" This from Quill, the journalist. "Inch along, old caterpillar!"

"As far as I am concerned," Wurm continued, "I would rather go with Charles and Mary Lamb to see The Battle of Hexham in their gallery than to any show in Times Square. I love to think of that fine old pair climbing up the stairs, carefully at the turn, lest they tread on a neighbor's heels. Then the pleasant gallery, with its great lantern to light their expectant faces!"

Wurm's eyes strayed again wistfully to his shelves. Flint stayed him. "And so you think that it is possible to see life completely in a mirror."

"By no means," Wurm returned. "We must see it both ways. Nor am I, as you infer, in any sense like the Lady of Shalott. A great book cannot be compared to a mirror. There is no genius in a mirror. It merely reflects the actual, and slightly darkened. A great book shows life through the medium of an individuality. The actual has been lifted into truth. Divinity has passed into it through the unobstructed channel of genius."

Here Flint broke in. "Divinity—genius—the Swiss Alps—The Battle of Hexham—what have they to do with Quill's shack out in Jersey or Colum's dirty birdhouses? You jump the track, Wurm. When everybody is heading for the main tent, you keep running to the side-shows."

Quill, the journalist, joined the banter. "You remind me, Wurm—I hate to say it—of what a sea captain once said to me when I tried to loan him a book. 'Readin',' he said, 'readin' rots the mind.'"

It was Colum's turn to ask a question. "What do you do, Flint," he asked, "when you have a holiday?"