Ol' Flint had a fist and an iron wrist,
And he thumped on the nose, it is said,
Till a wictim's gore ran over the floor
And he rolled in the scuppers dead.
But, Patch, there 's a few, I 'm tellin' ter you,
Who 's nice and they hates a muss,
And a plank, I contend, is a tidier end.
No sweepin', nor scrapin', nor fuss.
Captain Kidd, when afloat, put the crew in a boat,
And he shoved 'em off fer to starve.
On a rock in the sea, says he ter me—on a rock
In the sea, says he ter me—on a rock—

(The singer's voice fails. Sleep engulfs him. Silence! Then sounds of snoring. The range of Caucasus hath not noisier winds. Let's draw the curtain on the tempest!)


ACT II

It is the same cabin on the following night. There is no thunder and lightning, but it is a dirty night of fog—as wet as a crocodile's nest—and you hear the water dripping from the trees. The Duke, evidently, has had an answer to his "Now I lay me." The lighthouse, as before, shows vaguely through the mist.

In this scene we had wished to have a moon. The Duke will need it presently in his courtship; for marvelously it sharpens a lover's oath. 'T is a silver spur to a halting wooer. Shrewd merchants, I am told, go so far as to consult the almanac when laying in their store of wedding fits; for a cloudy June throws Cupid off his aim. What cosmetic—what rouge or powder—so paints a beauty! If the moon were full twice within the month scarcely a bachelor would be left. I pray you, master carpenter, hang me up a moon. But our plot has put its foot down. "Mirk," it says, "mirk and fog are best for our dirty business."

We had wished, also, to place one act of our piece on the deck of a pirate ship, rocking in a storm. Such high excitement is your right, for your payment at the door. It required but the stroke of a lazy pencil. But our plot has dealt stubbornly with us. We are still in the pirates' cabin in the fog.