The Country of Sir Walter Scott

by Charles S. Olcott

To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language: for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware.

To this great comfort, the poor misanthrope added another—the reading of good books. He was fond of the history of Wallace, Bruce, and other Scottish heroes, and he also had a love of poetry. Scott speaks of his familiarity with 'Paradise Lost' and says he has heard 'his most unmusical voice repeat the celebrated description of Paradise, which he seemed fully to appreciate.' Though not a man of orthodox religious beliefs, he would occasionally speak of the future life with great earnestness and on such occasions would sometimes burst into tears. He had chosen a wild and beautiful spot on a neighbouring hillside for the place of his burial. It was covered with green ferns and enclosed with a circle of his favourite rowan or mountain ash, planted with his own hands, partly because of their beauty, but largely on account of their potency in guarding the grave against evil spirits. He haughtily expressed great abhorrence of being interred in the parish churchyard with what he contemptuously called the 'common brush,' but in the last moments his heart became softened towards his fellow men, his antipathies relaxed, and his final wish was that he might be buried with his fathers.

The writing of a novel based upon a character so grotesque and repellent was not well suited to a man of Scott's wholesome and genial temperament. He soon tired of it, and indeed the only satisfaction he got out of it was in presenting the better side of the Black Dwarf's nature. He came in time to agree with the criticism of the publisher, William Blackwood, to which at first he had strenuously objected, and the novel, originally intended to be in two volumes, was crowded into one and hurried to an end, thereby producing a narrative, as the author facetiously remarked in later years, 'as much disproportioned and distorted as the Black Dwarf, who is its subject.'

[[1]] Or Bowed Davie of the Woodhouse Farm.

CHAPTER XII
OLD MORTALITY

In the grounds of the Observatory at Maxwelltown, across the river from Dumfries, is a small pavilion, enclosing two sculptured figures. One represents an old Scotchman, half reclining on a tombstone, a chisel in his left hand and a mallet resting by his side; the other is a pony, apparently waiting for his master to arise. The sculptures were the work of a local artist. They were disposed of by lottery to a young man, who died by accident the next day, and they are here deposited as a curious 'memorial to departed worth.'

The figures, thus used as a monument to the man who chanced to own them, were intended to represent a very different person. 'Old Mortality' and his pony were familiar to the people of Dumfriesshire and other parts of Scotland for more than forty years. His real name, as is well known, was Robert Paterson. He was a mason or stone-cutter by trade, who operated a small quarry. In middle life he became so thoroughly imbued with the religious enthusiasm of the Cameronians, of which austere sect he was a zealous member, that he felt impelled to desert his wife and five children, in order that he might perform the duty which, he conceived, had devolved upon him. This was to travel about the country and repair the gravestones of the martyred Covenanters. He would clear off the moss from the old stones and recut the half-defaced inscriptions, doing this often in remote and almost inaccessible recesses of the mountains and moors. Scarcely a churchyard in Ayr, Galloway, or Dumfriesshire is without some evidences of his work.

In spite of his eccentricity there was a fine sincerity of purpose in the old man's devotion to his self-appointed task. He believed that each grave should serve as a warning to posterity to defend their religious faith, and he purposed to make every one, however obscure, a beacon light, so to speak, to proclaim to all the world the sufferings and devotion of the Covenanters, and thus to perpetuate the ideals for which they strove. However mistaken he may have been as to the wisdom of his methods, his calling was apparently as real to himself and as sincere as that of any minister of the Gospel. He was found dying on the highway one day in his eighty-sixth year, the little old white pony standing patiently by his side. Thus he wore out his life in the service of his religion, as truly devoted to it as any of the martyrs who perished on battle-field or scaffold. His grave is marked by an appropriate stone in the churchyard of Caerlaverock, south of Dumfries.