Helen died in poverty and was buried in the picturesque churchyard of Kirkpatrick Irongray, northwest of Dumfries, where her grave might have been forgotten but for the generosity of Sir Walter and the interest of Mrs. Goldie, who told him the story. This good lady requested the novelist to write an inscription, saying that if he would do so, she would be able to raise the necessary funds for a monument. Scott, however, insisted upon supplying both the inscription and the stone. We made it our first care on the afternoon of our arrival in Dumfries to drive to the old Kirk where, in spite of the inconvenience of an unexpected shower, we photographed the memorial and afterwards stood under an umbrella copying the following inscription:—

This Stone was erected
By the author of Waverley
To the memory
of
HELEN WALKER
Who died in the year of God, 1791.
This humble individual
Practised in real life
The virtues
With which fiction has invested
The imaginary character of
JEANIE DEANS
Refusing the slightest departure
From veracity
Even to save the life of a sister,
She nevertheless shewed her
Kindness and fortitude
In rescuing her
From the severity of the law,
At the Expense of personal exertions.
Which the times rendered as difficult
As the motive was laudable.
Respect the grave of poverty
When combined with love of truth
And dear affection.

One day during our stay in Edinburgh we hired a conveyance to take us to the suburban scenes of 'The Heart of Midlothian.' Our driver was recommended as 'one of the best guides in Edinburgh,' and so he proved to be. In spite of orders to drive direct to the King's Park, he insisted upon going by way of High Street and the Canongate, when, every few rods it seemed, he would bring his horse to a walk, then turn in his seat until he faced us and point with his long whip to some window 'where the famous Adam Smith lived' or 'where Dugald Stewart had his rooms.' Perhaps he was only following the example of Sir Walter, of whom Lockhart said, 'No funeral hearse crept more leisurely than did his landau up the Canongate; and not a queer tottering gable but recalled to him some long-buried memory of splendour or bloodshed, which, by a few words, he set before his hearers in the reality of life.' All of this was interesting enough, or would have been, had I not wished to reach my objective point before sundown, but Jehu was like the burro I once rode in the Garden of the Gods in Colorado, which beast responded to the spur by two convulsive steps, then settled down to his previous pace, which neither coaxing nor threatening, caressing nor spurring, soft words nor sharp ones, would induce him to change for the space of more than a minute at a time. So with our 'best guide.' I finally concluded to let him have his own way, as I had been obliged to do with his obstinate relative, the burro, and so finally got through the Canongate after listening to a rehearsal of the entire catalogue of Edinburgh worthies for several centuries. When the King's Park was reached, after passing Holyrood Palace, the guide found himself 'out of bounds' and kindly permitted me to direct the further proceedings.

Here the city seems to come to a sudden end, and looking toward the southwest we saw only a mass of steep cliffs backed by a rugged mountain. This was a favorite resort with Sir Walter, when a boy. In later years, the Radical Road, which winds around the edge of the Salisbury Crags in a broad pathway, was laid out at his suggestion, to give employment to idle men.

In writing 'The Heart of Midlothian,' Scott was therefore more at home than with any other of his novels. Muschat's Cairn and St. Anthony's Chapel, where Jeanie had her midnight interview with the betrayer of her sister, were familiar sights of the author's boyhood. On a dark night they would be lonely enough even now.

Near the park gate we passed some boulders known as Muschat's Cairn, but as they were carefully enclosed and surrounded by a well-kept plot of grass, they gave no suggestion of the weird and desecrated ground where evil spirits had power to make themselves visible to human eyes. The original cairn was made by passing travellers, each throwing a stone upon the spot, to express his detestation of the horrible murder committed in 1720 by Nicol Muchet or Muschat, who killed his wife under circumstances of great cruelty. In the ordinary course of improvements, the cairn was swept away, but the novel created a new interest in its story, which led to its restoration.

ST. ANTHONY'S CHAPEL

St. Anthony's Chapel, on the rugged hillside overlooking St. Margaret's Loch, gives more of the impression of Scott's tale. The scene on any moonlight night even now would be the same as it was on that night when Jeanie met George Robertson at the cairn and was followed by Ratcliffe and Sharpitlaw, guided by Madge Wildfire. The ruined chapel, where the jailer and the lawyer succeeded only in capturing each other instead of the fugitive, is still as lonely and difficult of access as it was then, the only difference being that some of the walls have fallen. We drove as near to the base of the hill as it was possible to go. I then left the carriage and began the ascent, stopping a moment at St. Anthony's Well, where Madge Wildfire wanted to meet the ghost of the murdered Ailie Muschat to wash the blood out of her clothes 'by the beams of the bonny Lady Moon.' Arriving at the chapel after a hard climb, I was studying the composition of a picture when I was accosted by a policeman, who had toiled after me all the way up that steep incline. He informed me that I was welcome to photograph the ruins, but I must n't take any group pictures. As there was nobody in sight but the policeman and myself, and as I did not wish to make a 'group' of him, I wondered why he had taken so much trouble. Perhaps he felt the proud satisfaction of the hero, who, in the language of an admiring rustic friend, 'seen his duty and done it noble.'