But such is not the case, for the imagination has a sphere of action very different from that of the intelligence or the will. It is an interior mirror which reflects back upon the soul images of things beheld by the senses and conceived by the intelligence, without regard to time or place. Positively no, would be the answer of a young lady of self-respect, whom we would ask if she would like to see with her own eyes all that is spoken of in the novel which she reads with so little caution! Your answer would be given in the same terms, should we ask you if she might read without impunity to virtue those intrigues, those scenes so engaging to curiosity, and which incite the reader to follow up the details of ineffectual struggles against passion. Could she, without blushing, listen to the passionate conversations of those who had lead each other to destruction, after having exhausted all the resources of heart and mind to render vice amiable, even when their fall would seem to be less the effect of a criminal will than the result of a kind of fatality? Your answer to all this would be emphatically, no!
But while young ladies will neither listen to nor look at scenes of this nature, many, alas! do not scruple to look at them in books, where they are much more dangerous, for being adorned with all the charms of style, and because the persons represented are made to speak and act in a much more luring manner than they do in reality. They devour with avidity those dangerous, and sometimes scurrilous pages; but while they chain their attention to the matter they are reading, their imagination gains the ascendancy over all the senses, and under their united action images are formed which leave a lasting impression on the mind—images of misfortune that has befallen persons either through their own fault or the fault of others, and which, through sympathy, the human heart, whether wrong or right, is always ready to find a pretext to justify.
In reading of those misfortunes she may perhaps recognize the hand of divine vengeance pursuing the criminal culprit, which is of a nature to inspire her with a sentiment of fear that deters from the commission of crime; but such sentiments have been felt by the heroes of the novel which she has read, and nevertheless they have fallen into the abyss which they so much dreaded, I would almost say while fleeing from it. But when they take their stand on a declivity so steep and slippery, nothing short of a miracle can save them.
Such is precisely the nature of the danger in which the readers of such books place them-selves. In those books human frailty is idolized, deeds committed through it are either necessary or excusable, the hair-breadth escapes, and often the tragical conclusion of their story, will often inspire the reader with a salutary terror, it is true; but will that feeling destroy all those tender sympathizing sentiments that were felt while dreading it? Of course this fear is felt by the will, but the imagination has already finished its work; it has seen, heard and felt by the senses; it has delighted and fascinated the soul by those images whose charms cannot be destroyed by the unfortunate issue of those struggles in which frailty played such an important role.
The will, distracted by the tumult of external things, and the variety of, her occupations or pleasures, will soon lose this sentiment of terror on which she seems to count so much, but the imagination will conserve for a long time the impressions and images upon which it has feasted, and which will form the constant subject of her thoughts during the day and of her dreams during the night.
Hence, the books that are capable of producing such results are evidently bad, and if you wish to preserve intact the innocence of your heart you should never take one of them in your hands. If you wish to conceive a deep horror for vice, and guard against the snares of passion, you will more readily and securely attain your end by reading a few serious books in which truth is presented in its own simplicity without artifice. Books in which the author, realizing the importance of his mission, directly addresses the mind without trying to captivate the heart and imagination, or to render vice amiable first in order to inspire you with horror for it afterwards. If you wish to be true to yourself; if by your readings your object is to cultivate a love for virtue and horror for evil, novels are not the books that you will have recourse to.
Hence, to draw a practical conclusion from our considerations on this subject, you may safely say that a book is, if not bad, at least dangerous when its tendencies are to render interesting, and agreeable such deeds or language as you would neither look at nor listen to. This should be the first rule by which to judge of the moral worth of the books you wish to read.
CHAPTER XXII.
SAME SUBJECT CONTINUED.
To the rule given in the foregoing chapter may be added another of equal importance in the selection of suitable books to read. Generally speaking, all books that draw too much on the imagination may be considered as dangerous. You are well aware, and it has been frequently said, in the course of this little book, that the imagination is precious and useful when regulated with discretion, and directed with prudence; but the moment that it is allowed to assume a preponderance which does not belong to it, it becomes noxious to our spiritual and temporal welfare. Moreover, it is united to the senses by the most intimate ties, through which it receives impressions and images that keep it in constant activity; we should constantly labor to check, rather than to encourage its development; while we should spare neither pains nor diligence to develop the intelligence which, when left in ignorance of truths that could enlighten and elevate it, becomes the victim of cruel doubt, idleness, effeminacy and pleasure.