[60] In Smith’s reprint shortened by summary.
[61] Gregory Smith, II, 327-355.
[62] Gregory Smith, II, 356-384; Arthur Colby Sprague, Samuel Daniel, Poems and a Defence of Ryme (Cambridge, Harvard University Press, 1930).
[63] Patrizzi’s refutation of Tasso, 68, 116, 144/5, 173, 175.
[64] Nevertheless two of his references (V. 116; VI. 125) suggest, perhaps without his intention, a relation between Plato’s Symposium and Aristotle’s idea of creative imitation.
[65] Pellissier’s long introduction and valuable notes, though they need a few corrections by later studies, remain one of the most important surveys of the French development of poetic in the sixteenth century.
[66] But Vauquelin with Tasso bids poets leave pagan myth for Christian themes, though perhaps he refers only to subject; and he recognizes the place of Montemayor’s Diana among pastorals.
[67] For Aristotle’s imitation, see ARP, pages 139 ff.
[68] D. L. Clark, Rhetoric and Poetry in the Renaissance (New York, 1922).
[69] Cf. in [Chapter VII] Giraldi’s theory of the romance.