Led the bright river, child-like, in his hand:
Of how on giant ships he spread great sail,
And many marvels else by him first plann’d”,
writes a poet of modern Ireland.[[266]] Especially were the “round towers” attributed to him, and the Christian clerics appropriated his popularity by describing him as having been the designer of their churches. He used, according to legend, to wander over the country, clad, like the Greek Hephaestus, whom he resembles, in working dress, seeking commissions and adventures. His works remain in the cathedrals and churches of Ireland; and, with regard to his adventures, many strange legends are still, or were until very recently, current upon the lips of old people in remote parts of Ireland.
Some of these are, as might have been expected, nothing more than half-understood recollections of the ancient mythology. In them appear as characters others of the old, yet not quite forgotten gods—Lugh, Manannán, and Balor—names still remembered as those of long-past druids, heroes, and kings of Ireland in the misty olden time.
One or two of them are worth re-telling. Mr. William Larminie, collecting folk-tales in Achill Island, took one from the lips of an aged peasant, which tells in its confused way what might almost be called the central incident of Gaelic mythology, the mysterious birth of the sun-god from demoniac parentage, and his eventual slaying of his grandfather when he came to full age.[[267]]
Gobhan the Architect and his son, young Gobhan, runs the tale, were sent for by Balor of the Blows to build him a palace. They built it so well that Balor decided never to let them leave his kingdom alive, for fear they should build another one equally good for someone else. He therefore had all the scaffolding removed from round the palace while they were still on the top, with the intention of leaving them up there to die of hunger. But, when they discovered this, they began to destroy the roof, so that Balor was obliged to let them come down.
He, none the less, refused to allow them to return to Ireland. The crafty Gobhan, however, had his plan ready. He told Balor that the injury that had been done to the palace roof could not be repaired without special tools, which he had left behind him at home. Balor declined to let either old Gobhan or young Gobhan go back to fetch them; but he offered to send his own son. Gobhan gave Balor’s son directions for the journey. He was to travel until he came to a house with a stack of corn at the door. Entering it, he would find a woman with one hand and a child with one eye.
Balor’s son found the house, and asked the woman for the tools. She expected him; for it had been arranged between Gobhan and his wife what should be done, if Balor refused to let him return. She took Balor’s son to a huge chest, and told him that the tools were at the bottom of it, so far down that she could not reach them, and that he must get into the chest, and pick them up himself. But, as soon as he was safely inside, she shut the lid on him, telling him that he would have to stay there until his father allowed old Gobhan and young Gobhan to come home with their pay. And she sent the same message to Balor himself.
There was an exchange of prisoners, Balor giving the two Gobhans their pay and a ship to take them home, and Gobhan’s wife releasing Balor’s son. But, before the two builders went, Balor asked them whom he should now employ to repair his palace. Old Gobhan told him that, next to himself, there was no workman in Ireland better than one Gavidjeen Go.