3. The Ecclesiastical Tradition
A Vision of the Otherworld was a favourite subject with the writers of the apocryphal books of the Jews. In the oldest of these, the so-called Book of Enoch, which is also the oldest non-pagan book of this class that has come down to us, the subject is treated at greater length and with more elaborate detail than in any other contribution to the Vision legend prior to the Commedia. The last quarter of the second century B.C. has been assigned as the most probable date of the greater part of it, though in its present form it evidently contains post-Christian additions. Quoted in the Epistle of St. Jude (vv. 14-15), and known to the early Christians, it was long believed to have disappeared at a subsequent date, and was only recovered in recent times in an Ethiopian version, from which it has been repeatedly translated with commentaries.[80]
It relates, with copious detail, how the seer was caught up by a vehement wind and upraised to Heaven, where he was taken in charge by the Archangel Michael, who revealed to him Hell and Paradise, the mysteries of nature and of revelation, and the life to come. In the general scope of his work the author anticipates Dante in several particulars which are not common to the Vision writers in general. He pays much attention to topographical detail in his descriptions of Hell, for which he takes the Valley of Hinnom, near Jerusalem, as his model; but although the accuracy of his description has been attested by several travellers who have surveyed the valley, he is far from manifesting the precision and visualising power of the Florentine. Like Dante, moreover, he discusses various points of theology, and delivers long dissertations upon natural philosophy and the physical scheme of the universe. Here, too, he is vague and indistinct, as also in his description of the future state of the lost, wherein he displays none of Dante’s symmetry and orderly arrangement. We may note several points of detail wherein the Vision of Enoch resembles the Fis Adamnáin or other of the Christian Visions. The Archangel Michael already appears as the guide to the other world (c. 71); the infernal regions are swept by whirlwinds and traversed by rivers of fire, in one of which the fallen spirits are immersed until the carnal lusts of all such as are capable of redemption are burnt away (c. 67), though there is also a place wherein the wicked are bound and punished eternally (c. 22). Heaven is described as a city of crystal surrounded by a crystal wall, a river of vibrating fire flowing round about it (c. 13).
Upon entering in, Enoch came to a spacious mansion, built of crystal and with a crystal floor, surrounded by a flame as hot as fire and as cold as ice.[81] After this, he came to another mansion, resembling the first, but surpassing it in all respects. Rivers of fire issued from out of it; in the midst of it a throne was set, whereon One sat in glory, clad in a robe brighter than the sun, and whiter than the snow (c. 14). Further, Enoch was instructed at length by his guide as to the significance of many parts of the Old Testament record, and was taken to view the several heavens, the heavenly bodies, and the universe in general, the nature and motions of which were explained to him by the Archangel. He was conducted to Sheol, the temporary abode of departed souls until Judgment, which is situated in the West (c. 17), and was shown a mountain which was reserved for the life that shall be after God’s coming. Hereon stood the Tree of Life, which was to afford sustenance to the righteous of its fruit and fragrance (cc. 24-5). In a second vision, the last things and other divine mysteries were revealed to him by means of parables. In his Vision of Judgment he beheld, first, the spirits of the guilty stars condemned; after them, the unfaithful shepherds that misled the sheep, and then the wicked sheep themselves; after which he beheld a mansion greater than the former, supported on ivory pillars, wherein were assembled the sheep that were saved (c. 89).
Here we find the Vision legend brought to a high stage of development, and containing many features which recur throughout the whole course of the Vision literature. In several of these traces of an Oriental origin are apparent. Similar creations of the Rabbinical imagination occur in various writings belonging to the earlier centuries of our era, which, though composed in Christian times, and in some cases claiming a place among the sacred books of the Christian Church, embody Jewish traditions. Of such was the tradition current in those centuries, and quoted in the apocryphal Gospel of Nicodemus (Part II. c. 19), relating how Adam, when at the point of death, despatched Seth to the gate of Paradise in quest of the oil of the Tree of Life, or ‘Tree of Mercy,’ wherein, as before noted, we have a variant of Ishtâr’s visit to Hades in quest of the Waters of Life.
The Fourth Book of Esdras, as it is numbered in the Vulgate, the Second in the Authorised Version, though included in the Biblical Old Testament Apocrypha, was nevertheless composed in Christian times and to some extent under Christian influences, being written probably in the third quarter of the first century A.D., though by some it is dated so late as the first quarter of the third century. The Vision of Esdras therein contained is apocalyptic in character, being a prophecy of the end of the world, the speedy coming of which was generally looked for. It is therefore not properly an instance of our legend, but it calls for mention in this place, as it contains certain conceptions derived through Hebrew tradition from Chaldæan or Persian sources, and transmitted to the eschatological literature of the Christian Church. The angel Uriel[82] showed to Esdras a great multitude assembled on Mount Sion, and told him that these were ‘they that have put off the mortal clothing and have put on the immortal, and have confessed the name of God; now are they crowned, and receive palms.’ Several earlier passages furnish good examples of Persian or Babylonian myths converted, so to speak, and since adopted into the conventional imagery of Christian eschatology. ‘They shall have the Tree of Life for an ointment of sweet savour’; ‘I have sanctified and prepared for them twelve trees laden with divers fruits, and as many fountains flowing with milk and honey, and seven mighty mountains whereon there grow roses and lilies.’[83]
The name of Esdras is also attached to one of the apocryphal books of the early Christian Church, the Vision of Esdras, which relates how Esdras was led by Michael, Gabriel, and thirty-four other angels through the realms of darkness, wherein the punishments meted out to the wicked are revealed to him, and then to Paradise, where he sees Enoch and Elias, Peter, Paul, Moses, the Evangelists and Patriarchs, and all the righteous, assembled beneath the Tree of Life.
Another vision of Christian composition, but likewise fathered upon an Old Testament prophet, is the Vision of Isaiah, the second part of which, written in the third century A.D., relates a visit of that prophet to the seven Heavens.
However, at an earlier date than that of the works just named, the subject had already formed the theme of writings professedly Christian in aim and origin. The spread of Christianity, which, of its very nature, kept men’s thoughts bent upon the contemplation of the future life, was naturally attended by an increased production of works descriptive of the other world and of man’s lot therein. No very great contributions to the subject are made by the Canonical Scriptures, which vouchsafe us but little direct information concerning the future life. St. Paul, indeed, relates how he was caught up to the third Heaven, and there ‘heard unspeakable words, which it is not lawful for a man to utter’;[84] but no intimation concerning his experiences there are given us, and although the passage quoted doubtless accounted for his subsequent inclusion among those to whom the next world had been revealed, all details of his vision are due to the legendary narratives referred to hereafter. St. Jude (Ep. v. 6) refers to the rebellious angels who are kept ‘in everlasting chains under darkness unto the judgment of the great day’; and St. Peter (II. iii. 7-12), speaks of a general purification by fire, but neither reveals anything concerning the state of man in the life to come. Even the Revelation of St. John, while standing far above the level of all other apocalyptic writings, as in other respects, so in the grandeur of conception and beauty of execution wherewith the author describes the celestial kingdom, would appear to have made but slight impression, save by an added richness of imagery, upon the subsequent course of the Vision legend. This, possibly, may be because the author treats his subject from the millennary point of view, taking for his theme rather the tribulations which were coming upon the world, and the establishment of a new heaven and a new earth in place of the old, than the condition of individual souls after death, or the places of their eternal abode. At the same time, he makes use of some of that Oriental imagery which had already obtained a place in the Hebrew writings, canonical and apocryphal alike, and thereby contributed to its naturalisation in the eschatological writings of the Church.[85]