[11] See App. note 2, for more about Syrus.

[12] Hor. Sat. i. x. 6, where he compares him to Lucilius.

[13] Examples quoted by Gellius, x. 24; xv. 25.

[14] vi. 21.

[15] We should infer this also from allusions to Pythagorean tenets, and other philosophical questions, which occur in the extant fragments of Mimes.

[16] Tr. ii. 503, 4.

[17] S. 1-3, et al.

[18] Vell. Pat. ii. 83, where Plancus dancing the character of Glaucus is described, cf. Juv. vi. 63.

[19] Quae gravis Aesopus, quae doctus Roscius egit (Ep. ii. 1, 82). Quintilian (Inst. Or. xi. 3) says, Roscius citatior, Aesopus gravior fuit, quod ille comoedias, hic tragoedias egit.

[20] Cic. de Or. i. 28, 130. As Cicero in his oration for Sextius mentions the expression of Aesopus's eyes and face while acting, it is supposed that he did not always wear a mask.