Laelius, surnamed Sapiens, or the philosopher (cons. 140), is well known to readers of Cicero as the chief speaker in the exquisite dialogue on friendship, and to readers of Horace as the friend of Scipio and Lucilius. [18] Of his relative excellence as an orator, Cicero speaks with caution. [19] He mentions the popular preference for Laelius, but apparently his own judgment inclines the other way. "It is the manner of men to dislike one man excelling in many things. Now, as Africanus has no rival in martial renown, though Laelius gained credit by his conduct of the war with Viriathus, so as regards genius, learning, eloquence, and wisdom, though both are put in the first rank, yet all men are willing to place Laelius above Scipio." It is certain that Laelius's style was much less natural than that of Scipio. He affected an archaic vocabulary and an absence of ornament, which, however, was a habit too congenial at all times to the Roman mind to call down any severe disapproval. What Laelius lacked was force. On one occasion a murder had been committed in the forest of Sila, which the consuls were ordered to investigate. A company of pitch manufacturers were accused, and Laelius undertook their defence. At its conclusion the consuls decided on a second hearing. A few days after Laelius again pleaded, and this time with an elegance and completeness that left nothing to be desired. Still the consuls were dissatisfied. On the accused begging Laelius to make a third speech, he replied: "Out of consideration for you I have done my best. You should now go to Ser. Galba, who can defend you with greater warmth and vehemence than I." Galba, from respect to Laelius, was unwilling to undertake the case; but, having finally agreed, he spent the short time that was left in getting it by heart, retiring into a vaulted chamber with some highly educated slaves, and remaining at work till after the consuls had taken their seat. Being sent for he at last came out, and, as Rutilius the narrator and eye-witness declared, with such a heightened colour and triumph in his eyes that he looked like one who had already won his cause. Laelius himself was present. The advocate spoke with such force and weight that scarcely an argument passed unapplauded. Not only were the accused released, but they met on all hands with sympathy and compassion. Cicero adds that the slaves who had helped in the consultation came out of it covered with bruises, such was the vigour of body as well as mind that a Roman brought to bear on his case, and on the unfortunate instruments of its preparation. [20]
GALBA (180-136 B.C.?) was a man of violence and bad faith, not for a moment to be compared to Laelius. His infamous cruelty to the Lusitanians, one of the darkest acts in all history, has covered his name with an ineffaceable stain. Cato at eighty-five years of age stood forth as his accuser, but owing to his specious art, and to the disgrace of Rome, he was acquitted. [21] Cicero speaks of him as peringeniosus sed non satis doctus, and says that he lacked perseverance to improve his speeches from a literary point of view, being contented with forensic success. Yet he was the first to apply the right sort of treatment to oratorical art; he introduced digressions for ornament, for pathos, for information; but as he never re-wrote his speeches, they remained unfinished, and were soon forgotten—Hanc igitur ob caussum videtur Laelii mens spirare etiam in scriptis, Galbae autem vis occidisse.
Laelius had embodied in his speeches many of the precepts of the Stoic philosophy. He had been a friend of the celebrated Panaetius (186-126 B.C.) of Rhodes, to whose lectures he sent his own son-in-law, and apparently others too. Eloquence now began to borrow philosophic conceptions; it was no longer merely practical, but admitted of illustration from various theoretical sources. It became the ambition of cultivated men to fuse enlightened ideas into the substance of their oratory. Instances of this are found in SP. MUMMIUS, AEMILIUS LEPIDUS, C. FANNIUS, and the Augur MUCIUS SCAEVOLA, and perhaps, though it is difficult to say, in Carbo and the two Gracchi. These are the next names that claim our notice.
CARBO (164-119 B.C.), the supporter first of the Gracchi, and then of their murderers, was a man of the most worthless character, but a bold speaker, and a successful patron. In his time the quaestiones perpetuae [22] were constituted, and thus he had an immense opportunity of enlarging his forensic experience. He gained the reputation of being the first pleader of his day; he was fluent, witty, and forcible, and was noted for the strength and sweetness of his voice. Tacitus also mentions him with respect in his dialogue de Oratoribus. [23]
The two GRACCHI were no less distinguished as orators than as champions of the oppressed. TIBERIUS (169-133 B.C.) served his first campaign with Scipio in Africa, and was present at the fall of Carthage. His personal friendship for the great soldier was cemented by Scipio's union with his only sister. The father of Gracchus was a man of sterling worth and considerable oratorical gifts; his mother's virtue, dignity, and wisdom are proverbial. Her literary accomplishments were extremely great; she educated her sons in her own studies, and watched their progress with more than a preceptor's care. The short and unhappy career of this virtuous but imprudent man is too well known to need allusion here; his eloquence alone will be shortly noticed. It was formed on a careful study of Greek authors. Among his masters was Diophanes of Mitylene, who dwelt at Rome, and paid the penalty of his life for his friendship for his pupil. Tiberius's character was such as to call for the strongest expressions of reverence even from those who disapproved his political conduct. Cicero speaks of him as homo sanctissimus, and Velleius Paterculus says of him, "vita innocentissimus, ingenio florentissimus, proposito sanctissimus, tantis denique ornatus virtutibus, quantas perfecta et natura et industria mortalis conditio recipit." His appearance formed an epoch in eloquence. "The Gracchi employed a far freer and easier mode of speech than any of their predecessors." [24] This may be accounted for partly through the superiority of their inherited talent and subsequent education, but is due far more to the deep conviction which stirred their heart and kindled their tongue. Cato alone presents the spectacle of a man deeply impressed with a political mission and carrying it into the arena of political conflict, but the inspiration of Gracchus was of a far higher order than that of the harsh censor. It was in its origin moral, depending on the eternal principles of right and wrong, not on the accident of any particular state or party in it. Hence the loftiness of his speech, from which sarcasm and even passion were absent. In estimating the almost ideal character of the enthusiasm which fired him we cannot forget that his mother was the daughter of Scipio, of him who believed himself the special favourite of heaven, and the communicator of divinely sent ideas to the world. Unhappily we have no fragments of the orations of Gracchus; the more brilliant fame of his brother has eclipsed his literary renown, but we may judge of their special features by those of their author's character, and be sure that while lacking in genius they were temperate, earnest, pure, and classical. In fact the Gracchi may he called the founders of classical Latin. That subdued power whose subtle influence penetrates the mind and vanquishes the judgment is unknown in literature before them. Whenever it appears it marks the rise of a high art, it answers to the vis temperata which Horace so warmly commends. The younger son of Cornelia, C. GRACCHUS (154-121 B.C.), was of a different temper from his brother. He was less of the moralist, more of the artist. His feeling was more intense but less profound. His brother's loyalty had been to the state alone; his was given partly to the state, partly to the shade of his brother. In nearly every speech, in season and out of season, he denounced his murder. "Pessimi Tiberium meum fratrem, optimum virum, interfecerunt." Such is the burden of his eloquence. If in Tiberius we see the impressive calmness of reasoned conviction, in Caius we see the splendid impetuosity of chivalrous devotion. And yet Caius was, without doubt, the greater statesman of the two. The measures, into which his brother was as it were forced, were by him well understood and deliberately planned. They amounted to nothing less than a subversion of the existing state. The senate destroyed meant Gracchus sovereign. Under the guise of restoring to the people their supreme power, he paved the way for the long succession of tyrants that followed. His policy mingled patriotism and revenge. The corruption and oppression that everywhere marked the oligarchical rule roused his just indignation; the death of his brother, the death he foresaw in store for himself, stirred him into unholy vengeance. Many of his laws were well directed. The liberal attitude he assumed towards the provinces, his strong desire to satisfy the just claims of the Italians to citizenship, his breaking down the exclusive administration of justice, these are monuments of his far-seeing statesmanship. But his vindictive legislation with regard to Popillius Laenas, and to Octavius (from which, however, his mother's counsel finally deterred him), and above all his creation of the curse of Rome, a hungry and brutal proletariate, by largesses of corn, present his character as a public man in darker colours. As Mommsen says, "Right and wrong, fortune and misfortune, were so inextricably blended in him that it may well beseem history in this case to reserve her judgment." [25] The discord of his character is increased by the story that an inward impulse dissuaded him at first from public life, that agreeably to its monitions he served as Quaestor abroad, and pursued for some years a military career; but after a time his brother's spirit haunted him, and urged him to return to Rome and offer his life upon the altar of the great cause. This was the turning-point of his career. He returned suddenly, and from that day became the enemy of the senate, the avenger of his brother, and the champion of the multitude. His oratory is described as vehement beyond example; so carried away did he become, that he found it necessary to have a slave behind him on the rostra, who, by playing a flute, should recall him to moderation. [26] Cicero, who strongly condemned the man, pays the highest tribute to his genius, saying in the Brutus: "Of the loftiest talent, of the most burning enthusiasm, carefully taught from boyhood, he yields to no man in richness and exuberance of diction." To which Brutus assents, adding, "Of all our predecessors he is the only one whose works I read." Cicero replies, "You do right in reading him; Latin literature has lost irreparably by his early death. I know not whether he would not have stood above every other name. His language is noble, his sentiments profound, his whole style grave. His works lack the finishing touch; many are admirably begun, few are thoroughly complete. He of all speakers is the one that should be read by the young, for not only is he fit to sharpen talent, but also to feed and nourish a natural gift." [27]
One of the great peculiarities of ancient eloquence was the frequent opportunity afforded for self-recommendation or self-praise. That good taste or modesty which shrinks from mentioning its own merits was far less cultivated in antiquity than now. Men accepted the principle not only of acting but of speaking for their own advantage. This gave greater zest to a debate on public questions, and certainly sharpened the orator's powers. If a man had benefited the state he was not ashamed to blazon it forth; if another in injuring the state had injured him, he did not altogether sacrifice personal invective to patriotic indignation. [28] The frequency of accusations made this "art of self-defence" a necessity—and there can be no doubt the Roman people listened with admiration to one who was at once bold and skilful enough to sound his own praises well. Cicero's excessive vanity led him to overdo his part, and to nauseate at times even well-disposed hearers. From the fragments of Gracchus' speeches that remain (unhappily very few) we should gather that in asserting himself he was without a rival. The mixture of simplicity and art removes him at once from Cato's bald literalism and Cicero's egotism. It was, however, in impassioned attack that Gracchus rose to his highest tones. The terms Gracchi impetum, [29] tumultuator Gracchus, [30] among the Latin critics, and similar ones from Plutarch and Dio among the Greeks, attest the main character of his eloquence. His very outward form paralleled the restlessness of his soul. He moved up and down, bared his arm, stamped violently, made fierce gestures of defiance, and acted through real emotion as the trained rhetoricians of a later age strove to act by rules of art. His accusation of Piso is said to have contained more maledictions than charges; and we can believe that a temperament so fervid, when once it gave the reins to passion, lost all self-command. It is possible we might think less highly of Gracchus's eloquence than did the ancients, if his speeches remained. Their lack of finish and repose may have been unnoticed by critics who could hurl themselves in thought not merely into the feeling but the very place which he occupied; but to moderns, whose sympathy with a state of things so opposite must needs be imperfect, it is possible that their power might not have compensated for the absence of relief. Important fragments from the speech apud Censores (124 B.C.), from that de legibus a se promulgatis (123 B.C.), and from that de Mithridate (123 B.C.), are given and commented on by Wordsworth.
Among the friends and opponents of the Gracchi were many orators whose names are given by Cicero with the minute care of a sympathising historian; but as few, if any, remains of their speeches exist, it can serve no purpose to recount the list. Three celebrated names may be mentioned as filling up the interval between C. Gracchus and M. Antonius. The first of these is AEMILIUS SCAURUS (163-90? B.C.), the haughty chief of the senate, the unscrupulous leader of the oligarchical party. His oratory is described by Cicero [31] as conspicuous for dignity and a natural but irresistible air of command; so that when he spoke for a defendant, he seemed like one who gave his testimony rather than one who pleaded. This want of flexibility unfitted him for success at the bar; accordingly, we do not find that he was much esteemed as a patron; but for summing up the debates at the Senate, or delivering an opinion on a great public question, none could be more impressive. Speeches of his were extant in Cicero's time; also an autobiography, which, like Caesar's Commentaries, was intended to put his conduct in the most favourable light; these, however, were little read. Scaurus lived to posterity, not in his writings, but in his example of stern constancy to a cause. [32]
A man in many ways resembling him but of purer conduct, was RUTILIUS (158- 78 B.C.), who is said by Cicero to have been a splendid example of many- sided culture. He was a scholar, a philosopher, a jurist of high repute, a historian, and an orator, though the severity of the Stoic sect, to which he adhered, prevented his striving after oratorical excellence. His impeachment for malversation in Asia, and unjust condemnation to banishment, reflect strongly on the formation of the Roman law-courts. His pride, however, was in part the cause of his exile. For had he chosen to employ Antonius or Crassus to defend him, an acquittal would at least have been possible; but conscious of rectitude, he refused any patron, and relied on his own dry and jejune oratory, and such assistance as his young friend Cotta could give. Sulla recalled him from Smyrna, whither he had repaired after his condemnation; but Rutilius refused to return to the city which had unjustly expelled him.
Among the other aristocratic leaders, CATULUS, the "noble colleague" of Marius [33] (cons. 102), must be mentioned. He was not a Stoic, and therefore was free to chose a more ornamental method of speaking than Rutilius. Cicero, with the partiality of a senatorial advocate, gives him very high praise. "He was educated not in the old rough style, but in that of our own day, or something more finished and elegant still. He had a wide acquaintance with literature, the highest courtesy of life and manners as well as of discourse, and a pure stream of genuine Latin eloquence. This is conspicuous in all his works, but most of all, in his autobiography, written to the poet A. Furius, in a style full of soft grace recalling that of Xenophon, but now, unhappily, little, if at all, read. In pleading he was successful but not eminent. When heard alone, he seemed excellent, but when contrasted with a greater rival, his faults at once appeared." His chief virtue seems to have been the purity of his Latin idiom. He neither copied Greek constructions nor affected archaisms, as Rutilius Scaurus, Cotta, and so many others in his own time, and Sallust, Lucretius, and Varro in a later age. [34] The absence of any recognised standard of classical diction made it more difficult than at first appears for an orator to fix on the right medium between affectation and colloquialism.
The era inaugurated by the Gracchi was in the highest degree favourable to eloquence. The disordered state of the Republic, in which party-spirit had banished patriotism and was itself surrendering to armed violence, called for a style of speaking commensurate with the turbulence of public life. Never in the world's history has fierce passion found such exponents in so great a sphere. It is not only the vehemence of their language—that may have been paralleled elsewhere—it is the reality of it that impresses us. The words that denounced an enemy were not idly flung into the forum; they fell among those who had the power and the will to act upon them. He who sent them forth must expect them to ruin either his antagonist or himself. Each man chose his side, with the daggers of the other party before his face. His eloquence, like his sword, was a weapon for life and death. Only in the French Revolution have oratory and assassination thus gone hand in hand. Demosthenes could lash the Athenians into enthusiasm so great that in delight at his eloquence they forgot his advice. "I want you," he said, "not to applaud me, but to march against Philip." [35] There was no danger of the Roman people forgetting action in applause. They rejoiced to hear the orator, but it was that he might impel them to tumultuous activity; he was caterer not for the satisfaction of their ears, but for the employment of their hands. Thus he paid a heavy price for eminence. Few of Rome's greatest orators died in their beds. Carbo put an end to his own life; the two Gracchi, Antonius, Drusus, Cicero himself, perished by the assassin's hand; Crassus was delivered by sudden illness from the same fate. It is not wonderful if with the sword hanging over their heads, Roman orators attain to a vehemence beyond example in other nations. The charm that danger lends to daring is nowhere better shown than in the case of Cicero. Timid by nature, he not only in his speeches hazarded his life, but even when the dagger of Antony was waiting for him, he could not bring himself to flee. With the civil war, however, eloquence was for a time suppressed. Neither argument nor menace could make head against the furious brutality of Marius, or the colder butcheries of Sulla. But the intervening period produced two of the greatest speakers Rome ever saw, both of whom Cicero places at the very summit of their art, between whom he professes himself unable to decide, and about whom he gives the most authentic and copious account. These were the advocates M. ANTONIUS (143-87 B.C.) and M. LICINIUS CRASSUS (140-91 B.C.).