7. It is scarcely ever that we see the birds go. They are here to-day, and gone to-morrow. They disappear without observation. The fields are empty and silent. It seems as if the winds had blown them away with the leaves. The first sight of northern waterfowl, far up in the air, retreating from Labrador and the short, Arctic summer, is always to us like the declaration: "Summer is gone; winter is behind us; it will soon be upon you." At last come the late days of November. All is gone,—frosts reap and glean more sharply every night.
8. A few weeks bring earnest winter. Then begin to dawn other delights. The bracing air, the clean snow-paths, the sled and sleigh, the revelation of forms that all summer were grass-hidden; the sharp-outlined hills lying clear upon the sky; the exquisite tracery of trees,—especially of all such trees as that dendral child of God, the elm, whose branches are carried out into an endless complexity of fine lines of spray, and which stands up in winter, showing in its whole anatomy, that all its summer shade was founded upon the most substantial reality.
9. In winter, too, particularly in the latter periods of it, the extremities of shrubs and branches begin to take on ruddy hues, or purplish browns, and the eye knows that these are the first faint blushes of coming summer. Now, too, we find how beautiful are the mosses in the woods; and under them we find solitary green leaves, that have laughed all winter because they had outwitted the frost.
10. Wherever flowing springs gush from sheltered spots looking south, one will find many green edges, young grass, and some few tougher leaves. Now, too, in still days, the crow swings heavily through the air, cawing with a pleasing harshness. For dieting has performed its work. Your appetite is eager. A little now pleases you more than abundance did in August. Every tiny leaf is to you like a cedar of Lebanon.
11. All these things are unknown to dwellers in cities. It is nothing to them that a robin appeared for the first time yesterday morning, or that a blue-bird sang over against the house. Some new prima-donna[Footnote: The first female singer in an opera.] exhausts their admiration. They are yet studying laces, and do not care for the fringe of swamps, for the first catkins of the willow. They are still coveting the stores of precious stones at the jewelers, and do not care for my ruby buds, and red dogwood, and scarlet winter berries, and ground pine, and partridge-berry leaves.
12. There is one sight of the country, at about this time of the year—the first of March—that few have seen, or else they have passed it by as if it were not worthy of record. I mean the drapery of rocks in gorges, or along precipitous sides of hills or mountains. The seams of rocks are the outlets of springs. The water, trickling through, is seized by the frost, and held fast in white enchantment. Every day adds to the length of the ice drapery; and, as the surface is overlaid by new issuings, it is furred and fretted with silver-white chasings, the most exquisite.
13. Thus, one may find a succession, in a single gorge, of extraordinary ice-curtains, and pendent draperies, of varying lengths, of every fantastic form, of colors varying by thickness, or by the tinge of earth or rock shining through them. In my boyhood, I used to wander along these fairy halls, imagining them to be now altars in long, white draperies; now, grand cathedral pillars of white marble; then, long tapestries chased in white, with arabesques[Headnote 1] and crinkled vines and leaves.
14. Sometimes they seemed like gigantic bridal decorations, or like the robes of beings vast and high, hung in their wardrobes while they slept. But, whatever fancy interpreted them, or whether they were looked upon with two good, sober, literal eyes, they were, and still are, among the most delightful of winter exhibitions, to those who are wise enough to search out the hidden beauty of winter in the country.
QUESTIONS.—1. What are some of the attractions of winter in the city? 2. What are some of the delights of winter in the country? 3. What is said of the drapery of rocks? 4. What did the writer imagine them to be, in boyhood?