Wondering, Olaf and Wulfnoth climbed down the ladder after me, and Relf did but stay to find a torch before he followed us. Then I showed them the stone and the hollow behind it, and the earl called for the crowbar that was left by the outlaws, and with a stroke or two easily broke out the rest of the stone, and the glare of the torch shone into the place that it had so long sealed.
It was a chamber in the wall, and maybe a yard square each way. The stone had not filled all its width or depth of mouth, but was, as it were, a sealed door to be broken and replaced by another. Then we could see that the canvas I had thought that I had felt was indeed the loose folds of the tied mouths of bags that were neatly arranged at the bottom of this stone-built chest. And the canvas that I had reached and pulled at had easily parted, and through the rent showed the dull gleam of gold coin as the torchlight flared upon it.
The light shone too on letters scratched on the soft stone of the back of the chamber. I could read them, but Wulfnoth pointed to them, saying:
"Here may be a curse written on him who touches. I will have our priest read that which is there if he can."
Then I laughed, and said that it was no curse, but the name of some Roman who made the place, for all that was there was:
CLAVD. MARTINVS. ARTIF. FEC.
"Which means that a workman named Martin was proud of his work, and left his name there," I said when I had read it.
"And was slain, doubtless, lest he should betray the secret," said Wulfnoth.
And he put his hand out to take one of the bags from the place, feeling round the rotten canvas to get a fair grip of the mass of coin.
Then he drew back his hand with a cry that came strangely from his stern lips, for it sounded like alarm, and he stepped back.