Glories of Spain

by Charles W. Wood

"You may well ask," placing upon the table a choice bottle of the vin-du-pays, which she saw unsealed and uncorked by one of her officials who had just been wound up again and was flying about the room like a firework. "You may well ask, monsieur. No house so badly supplied with coals as the charbonnier, and in Narbonne we see little of our own honey. Like the fish in a seaport, it is all sent away, and you will find more of it in Paris than here. But I will try to unearth a jar from my stores."

Apparently the quest was unsuccessful, for no honey appeared. Or it may be that in contemplating the lune de miel in the garlanded banqueting-room the more material article was lost sight of. With one hundred and fifty people on her brain, no wonder if small matters were forgotten. And yet madame seemed of those who forget nothing, her faculties embracing both wide organisation and minute detail. A thin, wiry woman, with a quick walk and a light step, dark eyes that nothing escaped, yet without tyranny or sharpness of manner. Only once did we hear her rebuking one of her waiters for the sin of procrastination.

"Leave nothing till to-morrow that can be done to-day," she wound up with, "or you will soon find the world ahead and you left behind in the race. Those are the people that come to poverty and have only themselves to thank for it. That, monsieur," turning to us who waited a direction, "is the reason we cannot very much help what are called the poor. Some great failing brings them to that condition—laziness, stupidity or vice, and your aid will never give them energy, wisdom or virtue."

Then the direction we asked for was bestowed, and the erring waiter ordered to show us the way to the cathedral.

In the town we found very little that was not ordinary and common-place. It is ancient, its streets are badly paved and tortuous, and it possesses scarcely anything in the way of picturesque outlines, nothing in the way of Roman remains. Yet it flourished as far back as the fifth century B.C., and in the first century was in the hands of the Romans, great in theatres, baths, temples, and triumphal arches. Of these not a vestige has survived.

It was one of the great ports of the Mediterranean, which flowed up to its foundations, but has gradually receded some eight miles. From one of the great towers of the Hôtel de Ville you may trace the outlines of the Cevennes and Pyrenees on the one side, on the other watch the broad blue waters shimmering in the sunshine, more beautiful than a dream in their deep sapphire; you may count the white-winged boats sailing lazily to and fro upon its flashing surface; and on still, dark nights, when the stars are large and brilliant, watch the lights of fishing fleets clustered together, and hear upon the shore the gentle plash of this tideless sea.

On such summer nights the Allée des Soupirs is the favourite walk of the people. Whence its sad, romantic name? Has it seen many sorrows? Do ghosts of the past haunt it with long-drawn sighs? Has it had more than its share of Abelards and Héloïses, Romeos and Juliets? Has some sorrowful Atala been borne under its branches to a desert grave, some Dante mourned here his lost Beatrice, some Petrarch his Laura?

We knew not, and turning from it climbed the ill-paved streets towards the Cathedral—a Cathedral no longer, for Narbonne, once an Archbishopric, has been shorn of ecclesiastical dignity.

As far as it went, we found it a fine, interesting, but unfinished Gothic building of the thirteenth and fourteenth centuries. Little beyond the choir exists—a splendid fragment, but a fragment only. It might have been one of the world's wonders.

We entered for the second time in the gloaming, when its great height was lost in shadows. A few lights about the church and on the altar deepened the mystery. A few kneeling figures motionless at their devotions added their quiet pathos to the scene. From the end of the choir it had the effect of a vast church infinitely impressive. An immense nave with aisles and pillars and vaulted roofs might stretch behind us. Such was the intention of the architect, but his plans were not carried out. In reality there was nothing. Within a few feet came the narrow outer passage and the dead wall of the west front; but in the darkness all this was not realised. We only saw the splendid choir, vast height, graceful outlines, groined roof, pointed arches, and slender pillars, steeped in the mystery and shadow of a dim religious light by the few candles gleaming here and there like faint stars in the night. Some of the painted glass was beautiful, as we had seen earlier in the day, and much of the sixteenth century flamboyant tracery was very good. There were many fine tombs and statues.