Glories of Spain

by Charles W. Wood

"Can you not guess?" he returned. "What object could I have in coming here at this dark hour? Look."

Then we noticed for the first time that the Shadow carried a music-book. The enigma was solved. Quasimodo had come to practise.

"But what a strange hour!" we exclaimed. "You turn night into day. Is it that these ghostly shadows inspire you as nothing else can?"

"No," replied Quasimodo; "I have no inspiration. I possess the souls of others, I have no soul of my own. It is given to me to interpret the thoughts of all musicians with a wonderful interpretation, but not a single thought of my own do I possess. Not a single line can I extemporise. I am like a man to whom has been given all the feelings, all the aspirations, all the fire of the poet, and from whom is withheld the gift of language. But I am content. All the thoughts of the great masters are mine, my very own, and I am grateful for the power. It is a gift. As a rule I need no music. All is stamped on my brain in undying characters. You shall hear. This is a book of Bach's Fugues that I scarcely need; and this quiet and devoted creature is my organ-blower. He is deaf and dumb, which explains his silence."

"But you have not told us your reason for turning night into day," we remarked. "Everything about you is so weird and unusual that we cannot help our curiosity. You must not think it impertinence."

"True," replied Quasimodo. "It must indeed seem strange to you that I come here now, yet the reason is simple enough. I teach all day long, for I have to work for my living. Yet I cannot live without occasionally pouring out my soul in music; and as I have no time but the night, I come here now rather than not at all. I was not here last night or the night before; I shall not be here again any night this week. I have to work not only for my own living, but for a wife and two lovely children. You start. You wonder that any woman could have married this grotesque creature—much more a beautiful woman. You do not wonder more than I do. I tell my wife that she married me for my music, not for myself. The music charmed and bewitched her; threw a glamour over her eyes and judgment and taste. She laughs in reply. We have been married twelve years now, and she still seems the happiest of women, most devoted of wives. Heaven be praised, there is nothing grotesque in our lovely children. They might have come from paradise. But now I will go and play, and you shall listen. You have chosen to enter here, and here you must remain until I let you out again. I will leave you my lantern and you may wander where you will."

With that he placed his lamp in our hand, and lighting a small wax candle which he produced from his pocket, departed down the long, dark, solemn, solitary aisle, followed by his silent Shadow. We soon lost them in the gloom, and nothing but the distant sound of Quasimodo's footsteps told us we were not alone. Even this sound ceased, and for a time absolute silence reigned.

Presently a far-off glimmer showed where the organ-loft was placed. Quasimodo had lighted the candles and taken his seat. We turned off the light of our lantern. The moonlight was playing upon the windows, and the pale rays streamed across the aisles upon pillars and arches. Never was a more weird, more telling and effective scene.

We sat down on the steps of one of the chapels. The whole ghostly building, shrouded in gloom and mystery and moonbeams, stood before us in all its solidity, all its grandeur and magnificence. Intense silence reigned. We could hear the beating of our hearts, feel the quickening of our pulses.