Glories of Spain

by Charles W. Wood

Presently we caught sight of the wonderful aqueduct built by the Romans so many centuries ago, yet still almost perfect. In the days of the ancients it brought the water to the city for a distance of twenty miles. Those were the days when the Tarragonese called themselves lords of the earth; when Augustus reigned in his palace and the amphitheatre was the scene of wild sports, and temples existed to the heathen gods. The portion of the aqueduct visible from the road was as it were a gigantic bridge with two tiers of arches. It had all the tone of the centuries, all the solidity which had kept it standing firm as a rock. Nearly one hundred feet high and eight hundred feet long, it spanned a green and lonely valley or ravine covered with heather. The people call it el puente del diablo, and may be forgiven for thinking that more than human hands helped to perfect the work.

We went to the topmost height and walked over the giddy stoneway to the very centre. There we sat down and felt ourselves masters of the world. Wild flowers grew in the cracks and crevices, and ferns and fronds, and H. C. stretched over the yawning gulf for one almost out of reach, until we gave him up for lost and began to compose his epitaph. But he plucked his flower, and after looking at it with a sort of tender reverence, placed it carefully in his pocket-book.

"Who is that for?" we asked, for there was no mistaking his soft expression.

"The fair Costello. That exquisite vision that we saw in the opera-house at Gerona. The landlord gave me her full name and address before we left. I am thinking of proposing to her. Her presence haunts me still."

We knew how much this was worth; how long it would last.

"You would bestow it more worthily on Rosalie. There are many fair Costellos in the world—there can be only one Rosalie."

"Do you think so?" replied this whirligig heart. "Certainly Rosalie's eyes were matchless; I tremble when I think of them. And then we got to know her, which is an advantage. After all it shall go to Rosalie. The fair Costello might have a temper—there's no knowing."

We were undoubtedly in a situation favourable to romance. The scene was magnificent. Surrounding us was a wide stretch of undulating country. The land was rich and cultivated; towns and villages reposed on the hill-sides. Far off to the right the smoke of busy Valls ascended, and through the gentle haze we traced the outlines of its fine old church. Following the long white road before us, the eye at length rested on the blue smoke of quarrelsome, disaffected Reus, which prospers in spite of its Republican tendencies. Here more distinctly we traced the fine tower of the old church of San Pedro, in which Fortuny the painter lies buried. Distant hills bounded the horizon, shutting out the world beyond.

But there was no more interesting monument than the aqueduct on which we stood. Its rich tone contrasted wonderfully with the subdued green of the ravine, the deep shades of the heather, so full of charm and repose to the eye tired with wandering over the glaring country and straining after distant outlines. We stayed long, enjoying our breezy elevation; going back in imagination to the early centuries of mighty deeds—those Romans who were in truth masters of the world. At last, feeling that our driver's patience was probably exhausted, and treading carefully over the granite passage of the viaduct, we made our way to the prosy level of mankind.