Glories of Spain

by Charles W. Wood

He bade us seat ourselves in the stalls, where the organ was best heard. We listened to their receding footsteps ascending the winding staircase leading to the organ loft. In a few minutes we had lost all sense of outward things. The loveliest, softest, most entrancing music went stealing through the great building. Salvador was evidently extemporising. All his soul was passing into melody. Divine harmonies succeeded each other in one continued flow. It was music full of inspiration, such as few mortals could produce; fugitive thoughts more beautiful by reason of their spontaneity than any matured composition ever given to the world. Here indeed was a genius.

Never but once before had we heard such playing. Many years had gone by since one evening on the Hardanger Fjord, we glided through the water under the moonlight and listened to such strains as Beethoven himself could not have equalled. Many a hand oft-clasped in those days lies cold and dead; life has brought its disillusions; the world has changed; but even as we write the glamour of that moonlit night surrounds us, those matchless strains still ring in our ears, lifting us once more to paradise.

This monk's music brought back all those past impressions; "all the sorrow and the sighing, all the magic of the hour." We listened spell-bound, enraptured; and again we were in paradise. No wonder he inspired his pupils to accomplish the impossible. It lasted only a quarter of an hour, but during that time we never stirred hand or foot, scarcely breathed. Ordinary life was suspended; we were conscious only of soul and spirit. When this divine influence ceased we were hardly aware of the silence that succeeded. The monk had thrown us into a trance from which it was difficult to awaken. Only when his cloaked and cowled figure once more entered the choir and quietly approached us did we rouse to a sense of outward things.

"I see my music has pleased you," he said. "I do not affect to depreciate its power, since it influences me no less than others. For the time being I am lost to myself. All my soul seems expressing thoughts that words could never utter. No credit is due to me for a power outside and beyond me. The moment I sit down to the organ, Saint Cecilia takes possession of me, and I merely follow whither she leads. Of all arts, it is the most divine. Now before we separate let me take you into the Chapel of the Virgin. The image, you know, is considered the great treasure of the monastery."

In his voice there seemed almost an inflection of doubt or amusement. "And you also look upon it in this light?" we asked. "You believe in all the miracles, legends and traditions time has gathered round the image?"

"I must not talk heresy," smiled the monk; "but I believe more in my music."

We had entered the small chapel, where a light was burning before the celebrated image, black and polished as ebony; an image less than two feet high, seated in a chair, with an infant in its arms. The workmanship was rough and rude, the face ugly and African. There was nothing about it to raise the slightest emotion, for it was not even artistic.

"On this very spot," said the monk, "Ignatius Loyola is said to have waited for hours in rapture watching the image and receiving manifestations, after which he founded the Order of the Jesuits. He laid his sword upon the altar, declaring that he had done with it for ever, and henceforth his life should be devoted to paths of peace. In like manner I have stood here for hours, waiting for inspiration, for some manifestation, some token, though it should be only borne in upon the mind with no outward and visible sign. And I have waited in vain. Nothing has ever come to me. But I seat myself at the organ and seem wafted at once into realms immortal; my soul awakens and expands; I feel heaven within me. It is my one happiness and consolation; that and being alone with nature."

He conducted us back to the screen.

"Then we cannot prevail upon you to be with us this evening?" we said in a final effort. "You will not give us all the experiences of your past life, spiritual and otherwise?—all you went through in your transition state?"