The difficulty of identification was manifestly lessened in a village or town where Bate could be distinguished from Batkin, and Batkin from Batcock. Hence, again, the common occurrence of such a component as cock. This diminutive is never seen in the seventeenth century; and yet we have many evidences of its use in the beginning of the sixteenth. The English Bible, with its tendency to require the full name as a matter of reverence, while it supplied new names in the place of the old ones that were accustomed to the desinence, caused this. It may be, too, that the new regulation of Cromwell in 1538, requiring the careful registration of all baptized children, caused parents to lay greater stress on the name as it was entered in the vestry-book.
Any way, the sixteenth century saw the end of names terminating in “cock.”
(c.) On or In.
A dictionary instance is “violin,” that is, a little viol, a fiddle of four strings, instead of six. This diminutive, to judge from the Paris Directory, must have been enormously popular with our neighbours. Our connection with Normandy and France generally brought the fashion to the English Court, and in habits of this kind the English folk quickly copied their superiors. Terminations in kin and cock were confined to the lower orders first and last. Terminations in on or in, and ot or et, were the introduction of fashion, and being under patronage of the highest families in the land, naturally obtained a much wider popularity.
Our formal registers, again, are of little assistance. Beton is coldly and orthodoxly Beatrice or Beatrix in the Hundred Rolls. Only here and there can we gather that Beatrice was never so called in work-a-day life. In “Piers Plowman” it is said—
“Beton the Brewestere
Bade him good morrow.”
And again, later on:
“And bade Bette cut a bough,
And beat Betoun therewith.”
If Alice is Alice in the registrar’s hands, not so in homely Chaucer:
“This Alison answered: Who is there
That knocketh so? I warrant him a thefe.”