In the Footprints of the Padres

by Charles Warren Stoddard

A great board was laid the length of the room, a kind of Round Table—with some few unavoidable innovations, such as a weak leg or two, square corners, and an unexpected depression in the centre of it, where the folding leaves sought in vain to join. From the wall depended the elaborate menu, life-size and larger; and at every course a cartoon in color more appetizing than the town market. The emblematic owl blinked upon us from above the door. Invitations were hastily penned and sent forth to a select few. Forgive us, Dona Jovita, if thy guest card was redolent of tea or of brown soap; for it was penned in the privacy of the pantry, and either upon the Scylla of the tea-caddy or the soapy Charybdis it was sure to be dashed at last.

It was rare fun, if I did say it from the foot of the flower-strewn table, clad in an improvised toga, while a gentleman in Joss-like vestments carved and complimented in a single breath at the top of the Bohemian board. From the adjoining room came the music of hired minstrels: the guitar, the violin, and blending voices—a piping tenor and a soft Spanish falsetto. They chanted rhythmically to the clatter of tongues, the ripple of laughter, and the clash of miscellaneous cutlery.

An unbidden multitude, gathered from the highways, and the byways, loitered about the vicinity, patiently—O how patiently!—awaiting our adjournment. The fandango naturally followed; and it enlivened the vast, bare chambers of an adjoining adobe, whose walls had not echoed such revelry since the time when Monterey was the chief port of the Northern Pacific, and basked in the sunshine of a prosperous monopoly. A good portion of the town was there that evening. Shadowy forms hovered in the arbors of the rose garden; the city band appeared and rendered much pleasing music,—though it was rendered somewhat too vigorously. That band was composed of the bone and sinew of the town. Oft in the daytime had I not heard the flageolet lifting its bird-like voice over the counter of the juvenile jeweller, who wrought cunningly in the shimmering abalone shells during the rests in his music? Did not the trombone bray from beyond the meadow, where the cooper could not barrel his aspiring soul? It was the French-horn at the butcher's, the fife at the grocer's, the cornet in the chief saloon on the main street; while at the edge of the town, from the soot and grime of the smithy, I heard at intervals the boom of the explosive drum. It was thus they responded to one another on that melodious shore, and with an ambitious diligence worthy of the Royal Conservatory.

There was nothing to disturb one in the land, after the musical mania, save the clang of the combers on the long, lonely beach; the cry of the sea-bird wheeling overhead, or the occasional bang of a rifle. Even the narrow-gauge railway, that stopped discreetly just before reaching the village, broke the monotony of local life but twice in the twenty-four hours. The whistle of the arriving and departing train, the signal of the occasional steamer—ah! but for these, what a sweet, sad, silent spot were that! I used to believe that possibly some day the unbroken stillness of the wilderness might again envelop it. The policy of the people invited it. Anything like energy or progress was discouraged in that latitude. When it was discovered that the daily mail per Narrow Gauge was arriving regularly and usually on time, it began to look like indecent haste on the part of the governmental agents. The beauty and the chivalry that congregated at the post-office seemed to find too speedy satisfaction at the general delivery window; and presently the mail-bag for Monterey was dropped at another village, and later carted twenty miles into town. The happy uncertainty of the mail's arrival caused the post-office to become a kind of forum, where all the grievances of the populace were turned loose and generally discussed.

Then it seemed possible that the Narrow Gauge might be frowned down altogether, and the locomotive warned to cease trespassing upon the green pastures of the ex-capital. It even seemed possible that in course of time all aliens might require a passport and a recommendation from their last place before being permitted to enter in and enjoy the society of the authorities brooding over that slumberous village.

I have seen as many as six men and a boy standing upon one of the half-dozen street corners of the town, watching, with a surprise that bordered upon impertinence, a white pilgrim from San Francisco in an ulster, innocently taking his way through the otherwise deserted streets. The ulster was perhaps the chief object of interest. I have seen three or four citizens sitting in a row, on a fence, like so many rooks,—and sitting there for hours, as if waiting for something. For what, pray? For the demented squaw, who revolved about the place, and slept out of doors in all weathers, and muttered to herself incessantly while she went to and fro, day after day, seeking the rest she could not hope for this side the grave? Or for Murillo, the Indian, impudent though harmless, full of fancies and fire-water? Or for the return of the whale-boats, with their beautiful lateen-sails? Or for the gathering of the Neapolitan fishermen down under the old Custom House, where they sat at evening looking off upon the Bay, and perchance dreaming of Italy and all that enchanted coast? Or for the rains that poured their sudden and swift rivulets down the wooded slopes and filled the gorges that gutted some of the streets? Was it the love of nature, or a belief in fatalism, or sheer laziness, I wonder, that preserved to Monterey those washouts, from two to five feet in depth, that were sometimes in the very middle of the streets, and impassable save by an improvised bridge—a single plank?

Ah me! It is an ungracious task to prick the bubble reputation, had I not been dazzled with dreams of Monterey from my youth up! Was I piqued when I, then a citizen of San Francisco—one of the three hundred thousand,—when I read in "The Handbook of Monterey" these lines: "San Francisco is not too firmly fixed to fear the competition of Monterey"?

Well, I may as well confess myself a false prophet. The town fell into the hands of Croesus, and straightway lost its identity. It is now a fashionable resort, and likely to remain one for some years to come. Where now can one look for the privacy of old? Then, if one wished to forget the world, he drove through a wilderness to Cypress Point. Now 'tis a perpetual picnic ground, and its fastnesses are threaded by a drive which is one of the features of Del Monte Hotel life. It was solemn enough of yore. The gaunt trees were hung with funereal mosses; they had huge elbows and shoulders, and long, thin arms, with skeleton fingers at the ends of them, that bore knots that looked like heads and faces such as Doré portrayed in his fantastic illustrations. They were like giants transformed,—they are still, no doubt; for the tide of fashion is not likely to prevail against them.

They stand upon the verge of the sea, where they have stood for ages, defying the elements. The shadows that gather under their locked branches are like caverns and dungeons and lairs. The fox steals stealthily away as you grope among the roots, that writhe out of the earth and strike into it again, like pythons in a rage. The coyote sits in the edge of the dusk, and cries with a half-human cry—at least he did in my dead day. And here are corpse-like trees, that have been naked for ages; every angle of their lean, gray boughs seems to imply something. Who will interpret these hieroglyphics? Blood-red sunsets flood this haunted wood; there is a sound as of a deep-drawn sigh passing through it at intervals. The moonlight fills it with mystery; and along its rocky front, where the sea-flowers blossom and the sea-grass waves its glossy locks, the soul of the poet and of the artist meet and mingle between shadowless sea and cloudless sky, in the unsearchable mystery of that cypress solitude.

So have I seen it; so would I see it again. When I think on that beach at Monterey—the silent streets, the walled, unweeded gardens—a wistful Saturday-afternoon feeling comes over me. I hear again the incessant roar of the surf; I see the wheeling gulls, the gray sand; the brown, bleak meadows; the empty streets; the shops, tenantless sometimes—for the tenant is at dinner or at dominos; the other shops that are locked forever and the keys rusted away;—whenever I think of her I am reminded of that episode in Coulton's diary, where he, as alcalde, was awakened from a deep sleep at the dead of night by a guard, a novice, and a slave to duty. With no little consternation, the alcalde hastened to unbar the door. The guard, with a respectful salute, said: "The town, sir, is perfectly quiet."