A few farewell rambles associate themselves with packing up and plans of desertion. Not sad farewells in this case, for if I never again meet these individual mountains, I carry with me their memory, eternal and incomparably glorious. Let us peep into this nook: I got plentiful blackberries there in the spring, together with stains and thorny scratches. I haul myself over the ferry and back, for old acquaintance' sake; the current is so lazy, it seems incredible that the same waters are almost impassable at some seasons. I succeed in wrecking a whole armada of floating leaves with stems like a bowsprit. A few beetles take passage in these gilded barges—no doubt, for the antipodes.

Did you ever drive up the cattle at milking time? I have; but not without endless trial and tribulation, for they spill off the path on either side in a very remarkable way, and when I rush after one with a flank movement, the column breaks and falls back utterly demoralized. A little strategy on the part of their commander (which is myself) triumphs in the end, for I privately reconstruct and march them all up in detachments of one. I look after the little trees, the unbent twigs; they are more interesting to me than your monsters. This nursery of saplings sprang up in a night after a freshet: here are quivering aspens trembling forever in penance for that one sin. They once were gravely pointed out by the guide of a party of tourists as "shuddering asps." He is doubtless the same who, being asked "what that was," (pointing to the North Dome, six thousand feet in the air) said "he'd be hanged if he knew; some knob or other." I recall ten thousand pleasant times as I turn my face seaward; not only the great and omnipotent shadows under the south wall of the valley, nor the continuous canticles of the waters, but innumerable little things that fill up and make life perfect.

The talks, the walks with my friends here, the parrot "Sultan," fed daily from the table, soliloquizing upon men and things in Arabic and Hindostanee, for he scorns English and talks in his sleep. There is Bobby, the grossbeak, brought to the door in pin feathers and skin like oiled silk by an Indian. His history is tragic: this Indian brained the whole family and an assortment of relatives; Bobby alone remaining to brood over the massacre, was sold into bondage for two bits and a tin dipper without the bottom. The sun seems to lift his gloom, for he sings a little, sharpens his bill with great gusto and tomahawks a bit of fruit, as though dealing vengeance upon the destroyer of his race.

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Sentinel Hotel, Yosemite, in 1869

When shall I see another such cabin as this—its great fireplaces, and the loft heaping full of pumpkins? O, Yosemite! O, halcyon days, and bed-time at eight P.M., tucking in for ten good hours and up again at six; good eatings and drinkings day by day, mugs of milk and baked squash forever, plenty of butter to our daily bread; letters at wide intervals, and long, uninterrupted "thinks" about home and friends (as the poet of the "Hermitage" writes in one of his letters). Shall I ever again sit for two mortal hours hearing a housefly buzz in the window and thinking it a pleasant voice! But alas! those restless days, when the air was full of driving leaves and I could find nothing on earth to comfort me.

I leave this morning. Opportunity takes me by the hand and leads me away. The heart leaps with emotion: everything is momentous in a quiet life. This is the portal we entered one deepening dusk. Its threshold will soon be cushioned with snow; let us hasten on. If I were asked when is the time to visit Yosemite, I should reply: Go in the spring; see the freshets and the waterfalls in their glory, and the valley in its fresh and vivid greenness. Go again, by all means, in the autumn, when the woods are powdered with gold dust and a dreamy haze sleeps in the long ravines; when the stars sparkle like crystals and the mornings are frosty; when the clouds visit us in person, and the trees look like crayon sketches on a vapory background, and the cliffs like leaning towers traced in sepia on a soft ground glass. Go in spring and autumn, if possible. I should choose autumn of the two; but go at any hazard, and do not rest till you have been. You can enter and go out at this portal. Passing seaward, to the left, out of the gray and groping mists a form, arises, monstrous and awful in its proportions; spurning the very earth that crumbles at its very base as it towers to heaven. The vapors of the air cleave to its massive front. The passing cloud is caught and torn in the grand carvings of its capitals. Gaze upon it in the solemnity of its sunlit surface. Impressive, impassive, magnetic; having a pulse and the organs of life almost; terrible as the forehead of a god. The full splendor of the noonday can not belittle it, night can not compass it. The moon is paler in its presence and wastes her lamp, the stars are hidden and lost over and beyond it. Across the face of it is borne forever the shadowy semblance of a swift and flying figure. Despair and desperation are in the nervous energy depicted in this marvelous medallion. Surely, the Indian may look with a degree of reverence upon that picture, painted by the morning light, fading in the meridian day, and gone altogether by evening. A grand etching of colossal proportions, representing the great chief Tutochanula in his mysterious flight. The Wandering Jew might look upon it and behold his traditional beard and flowing robes blown here by the winds in the rapidity of his desperate haste. It is the last one sees of the valley, as it is the last any have seen of Tutochanula. He fled into the west, cycles ago, and I follow him now into the west, nest-building, and getting into the shadow and resting after the door of the mountain is passed, and my soul no longer beats impetuously against those stormy walls.

With uncovered head, having nothing between me and Saturn, wiser, I trust, for my intercourse with these masters, purer in heart and holier for my prolonged vigil, with careful and reverential steps I pass out of Yosemite shadows.