"(Abigail Williams cried out again, 'There is Goodman Procter going to hurt Goody Bibber!' and immediately Goody Bibber fell into a fit. There was the like of Mary Walcot, and divers others. Benjamin Gould gave in his testimony, that he had seen Goodman Corey and his wife, Procter and his wife, Goody Cloyse, Goody Nurse, and Goody Griggs in his chamber last Thursday night. Elizabeth Hubbard was in a trance during the whole examination. During the examination of Elizabeth Procter, Abigail Williams and Ann Putnam both made offer to strike at said Procter; but, when Abigail's hand came near, it opened,—whereas it was made up into a fist before,—and came down exceeding lightly as it drew near to said Procter, and at length, with open and extended fingers, touched Procter's hood very lightly. Immediately, Abigail cried out, her fingers, her fingers, her fingers burned; and Ann Putnam took on most grievously of her head, and sunk down.)"

Hutchinson, after giving Parris's account of this examination, expresses himself thus: "No wonder the whole country was in a consternation, when persons of sober lives and unblemished characters were committed to prison upon such sort of evidence. Nobody was safe." All things considered, it may perhaps be said, that, filled as the witchcraft proceedings were throughout with folly and outrage, there was nothing worse than this examination, conducted by the deputy-governor and council, on the 11th of April, 1692, in the great meeting-house of the First Church in Salem. It must have been a scene of the wildest disorder, particularly in the latter part of it. No wonder that the people in general were deluded, when the most learned councillors of the colony countenanced, participated in, and gave effect to, such disorderly procedures in a house of worship, in the presence of a high judicial tribunal, and of the then supreme government of the colony!

Benjamin Gould gave his volunteer testimony without "advisedness," and quite incontinently. He brought out Goodman Corey before the managers were quite ready to fall upon him; and he antedated, by a considerable length of time, any such imputation upon Goody Griggs. It was well for Elizabeth Hubbard to have been in a trance, so that she could not hear the mention of her aunt's name. The council seems to have adjourned to the next day, at the same place, when Mr. Parris "gave further information against said John Procter," which, unfortunately, has not come down to us. The result was, that Sarah Cloyse, John Procter, and Elizabeth his wife, were all committed for trial, and, with Rebecca Nurse, Martha Corey, and Dorcas Good, were sent to the jail in Boston, in the custody of Marshal Herrick.

The proceedings of the 11th and 12th of April produced a great effect in driving on the general infatuation. Judge Sewall, who was present as one of the council, in his diary at this date, says, "Went to Salem, where, in the meeting-house, the persons accused of witchcraft were examined; was a very great assembly; 'twas awful to see how the afflicted persons were agitated." In the margin is written, apparently some time afterwards, the interjection "Væ!" thrice repeated,—"Alas, alas, alas!" What perfectly deluded him and Danforth, and everybody else, were the exhibitions made by the "afflicted children." This is the grand phenomenon of the witchcraft proceedings here in 1692. It, and it alone, carried them through. Those girls, by long practice in "the circle," and day by day, before astonished and wondering neighbors gathered to witness their distresses, and especially on the more public occasions of the examinations, had acquired consummate boldness and tact. In simulation of passions, sufferings, and physical affections; in sleight of hand, and in the management of voice and feature and attitude,—no necromancers have surpassed them. There has seldom been better acting in a theatre than they displayed in the presence of the astonished and horror-stricken rulers, magistrates, ministers, judges, jurors, spectators, and prisoners. No one seems to have dreamed that their actings and sufferings could have been the result of cunning or imposture. Deodat Lawson was a man of talents, had seen much of the world, and was by no means a simpleton, recluse, or novice; but he was wholly deluded by them. The prisoners, although conscious of their own innocence, were utterly confounded by the acting of the girls. The austere principles of that generation forbade, with the utmost severity, all theatrical shows and performances. But at Salem Village and the old town, in the respective meeting-houses, and at Deacon Nathaniel Ingersoll's, some of the best playing ever got up in this country was practised; and patronized, for weeks and months, at the very centre and heart of Puritanism, by "the most straitest sect" of that solemn order of men. Pastors, deacons, church-members, doctors of divinity, college professors, officers of state, crowded, day after day, to behold feats which have never been surpassed on the boards of any theatre; which rivalled the most memorable achievements of pantomimists, thaumaturgists, and stage-players; and made considerable approaches towards the best performances of ancient sorcerers and magicians, or modern jugglers and mesmerizers.

The meeting of the council at Salem, on the 11th of April, 1692, changed in one sense the whole character of the transaction. Before, it had been a Salem affair. After this, it was a Massachusetts affair. The colonial government at Boston had obtruded itself upon the ground, and, of its own will and seeking, irregularly, and without call or justification, had taken the whole thing out of the hands of the local authorities into its own management. Neither the town nor the village of Salem is responsible, as a principal actor, for what subsequently took place. To that meeting of the deputy-governor and his associates in the colonial administration, at an early period of the transaction, the calamities, outrages, and shame that followed must in justice be ascribed. Had it not taken place, the delusion, as in former instances and other places here and in the mother-country, would have remained within its original local limits, and soon disappeared. That meeting, and the proceedings then had, gave to the fanaticism the momentum that drove it on, and extended its destructive influence far and wide.

The next step in the proceedings is one of the most remarkable features in the case. It is, in some points of view, more suggestive of suspicion, that there was, behind the whole, a skilful and cunning management, ingeniously contriving schemes to mislead the public mind, than almost any other part of the transaction. Mary Warren, as has been said, was a servant in the family of John Procter. She was a member of the "circle" that had so long met at Mr. Parris's house or Thomas Putnam's. She was a constant attendant at its meetings, and a leading spirit among the girls. She did not take an open part against her master or mistress at their examination, although she acted with avidity and malignity against them as an accusing witness at their trials, two months afterwards. It is to be noticed, that Ann Putnam and Abigail Williams, at the examination of Elizabeth Procter, April 11, accused her of having induced or compelled "her maid to set her hand to the book."

On the 18th of April, warrants were got out against Giles Corey and Mary Warren, both of Salem Farms; Abigail Hobbs, daughter of William Hobbs, of Topsfield; and Bridget Bishop, wife of Edward Bishop, of Salem,—to be brought in the next forenoon, at about eight o'clock, at the house of Lieutenant Nathaniel Ingersoll, of Salem Village. How Mary Warren became transformed from an accuser to an accused, from an afflicted person to an afflicter, is the question. It is not easy to fathom the conduct of these girls. They appear to have acted upon a plan deliberately formed, and to have had an understanding with each other. At the same time, occasionally, they had or pretended to have a falling-out, and came into contradiction. This was perhaps a mere blind, to prevent the suspicion of collusion. The accounts given of Mary Warren seem to render it quite certain that she acted with deliberate cunning, and was a guilty conspirator with the other accusers in carrying on the plot from the beginning. No doubt, it frequently occurred to those concerned in it, that suspicions might possibly get into currency that they were acting a part in concert. It was necessary, by all means, to guard against such an idea. This may be the key to interpret the arrest and proceedings against Mary Warren. If it is, the affair, it must be confessed, was managed with great shrewdness and skill. She conducted the stratagem most dexterously. All at once she fell away from the circle, and began to talk against the "afflicted children," and went so far as to say, that they "did but dissemble." Immediately, they cried out upon her, charged her with witchcraft, and had her apprehended. After being carried to prison, she spoke in strong language against the proceedings. Four persons of unquestionable truthfulness, in prison with her, on the same charge, prepared a deposition to this effect: "We heard Mary Warren several times say that the magistrates might as well examine Keysar's daughter that had been distracted many years, and take notice of what she said, as well as any of the afflicted persons. 'For,' said Mary Warren, 'when I was afflicted, I thought I saw the apparitions of a hundred persons;' for she said her head was distempered that she could not tell what she said. And the said Mary told us, that, when she was well again, she could not say that she saw any of the apparitions at the time aforesaid." I will now give the substance of her examination, which commenced on the 19th of April. Mr. Parris was, as usual, requested to take minutes of the proceedings, which have been preserved:—

"Examination of Mary Warren, at a Court held at Salem Village, by John Hathorne and Jonathan Corwin, Esqrs.

"(As soon as she was coming towards the bar, the afflicted fell into fits.)

"Mary Warren, you stand here charged with sundry acts of witchcraft. What do you say for yourself? Are you guilty or not?—I am innocent.