“He thinks he may speak as he likes to a poor clerk; but my mood is not, perhaps, so supple as he deems it, and his rough freedom pleases me not at all.”
I made some slight reply, rather indifferent than courteous, and continued to move away. He coolly planted himself in my path.
“Stay here awhile,” said he: “it is so hot in the dancing-room; besides, you don’t dance; you have not had a partner to-night.”
He was right, and as he spoke neither his look, tone, nor manner displeased me; my amour-propre was propitiated; he had not addressed me out of condescension, but because, having repaired to the cool dining-room for refreshment, he now wanted some one to talk to, by way of temporary amusement. I hate to be condescended to, but I like well enough to oblige; I stayed.
“That is a good picture,” he continued, recurring to the portrait.
“Do you consider the face pretty?” I asked.
“Pretty! no—how can it be pretty, with sunk eyes and hollow cheeks? but it is peculiar; it seems to think. You could have a talk with that woman, if she were alive, on other subjects than dress, visiting, and compliments.”
I agreed with him, but did not say so. He went on.
“Not that I admire a head of that sort; it wants character and force; there’s too much of the sen-si-tive (so he articulated it, curling his lip at the same time) in that mouth; besides, there is Aristocrat written on the brow and defined in the figure; I hate your aristocrats.”
“You think, then, Mr. Hunsden, that patrician descent may be read in a distinctive cast of form and features?”