Lady Maria Sneachy, a real, dazzling, brilliant, smiling beauty! What large, imperial eyes; what a magnificent neck and brow; and how haughtily she lifts her fair head with its weight of glancing black ringlets! She seems to scorn the earth which her small foot presses, and to look round in supreme contempt of beggarly man and all his trifling concerns. He may gaze at her, worship her, but let him aspire no higher. The laugh of satire that can burst from those lips is cutting to the last degree. I have seen many a wretch writhing under it, and pitied the despair with which he turned away from the royal coquette to seek happiness in a less splendid and less disdainful form. People say that Maria has found her tamer now. I know not how that is, but I think the King of Angria is too well satisfied with his present Queen, who fits herself to him and all his proud strange ways more perfectly every day, to choose even so grand a successor as Maria Sneachy would be.

Augustus, Marquis of Rosendale—young Highland Red-Deer! Fidena may be proud of his son. I never saw a child who better merited the epithet, ‘handsome,’ than does this juvenile prince. All his limbs and features are so round and regular. Look at those fleshy, plump arms naked to the shoulder; on that fair and florid face with its fearless blue eye, and the curly grace of his plentiful light hair; on that bold white forehead which will be bared yet to the mountain winds of his fatherland when he fronts them in the storm of the chase, and to the keener gales of war when he follows the sound of the trumpet and charges either to the rescue or ruin of that banner whose orb is rising, but which ere then will be in its glowing noontide. Prince John should watch Augustus; let him not follow his young god-father in infancy or he will do it hereafter in manhood.

Here the second volume closes. I now take up the first.

Fire! Light! What have we here? Zamorna’s self, blazing in the frontispiece like the sun on his own standard. De Lisle has given him to us in full regimentals—plumed, epauletted, and sabred (I wish the last were literally true, by-the-bye!). All his usual insufferableness or irresistibleness, or whatever the ladies choose to call it, surrounding him like an atmosphere, he stands as if a thunderbolt could neither blast the light of his eyes nor dash the effrontery of his brow. Keen, glorious being! tempered and bright and sharp and rapid as the scimitar at his side when whirled by the delicate yet vigorous hand that now grasps the bridle of a horse to all appearance as viciously beautiful as himself. O Zamorna! what eyes those are glancing under the deep shadow of that raven crest! They bode no good. Man nor woman could ever gather more than a troubled, fitful happiness from their kindest light, Satan gave them their glory to deepen the midnight gloom that always follows where their lustre has fallen most lovingly. This, indeed, is something different from Percy. All here is passion and fire unquenchable. Impetuous sin, stormy pride, diving and soaring enthusiasm, war and poetry, are kindling their fires in all his veins, and his wild blood boils from his heart and back again like a torrent of new-sprung lava. Young duke? Young demon! I have looked at you till words seemed to issue from your lips in those fine electric tones, as clear and profound as the silver chords of a harp, which steal affections like a charm. I think I see him bending his head to speak to the Countess Zenobia or the Princess Maria or Lady Julia or perhaps Queen Henrietta, while he whispers words that touch the heart like a ‘melody that’s sweetly played in tune.’ A low wind rises and sighs slowly onward. Suddenly his plumes rustle; their haughty shadow sweeps over his forehead; the eye, —the full, dark, refulgent eye,—lightens most gloriously; his curls are all stirred; smiles dawn on his lip. Suddenly he lifts his head, flings back the feathers, and clusters of bright hair, and, while he stands erect and god-like, his regards (as the French say) bent on the lady, whoever it be, who by this time is of course seriously debating whether he be man or angel, a momentary play of indescribable expression round the mouth, and elevation of the eyebrows, tell how the stream of thought runs at that moment; the mind which so noble a form enshrines! Detestable wretch!—I hate him!

But just opposite, separated only by a transparent sheet of silver paper, there is something different: his wife, his own matchless Henrietta! She looks at him with serene eyes as if the dew of placid thought could be shed on him by the influence of those large, clear stars. It reminds me of moonlight descending on troubled waters. I wish the parallel held good all the way, and that she was as far beyond the reach of sorrows arising from her husband’s insatiable ambition and fiery impetuosity as Dian is above the lash of the restless deep. But it is not so: her destiny is linked with his; and however strange the great river of Zamorna’s fate may flow; however awful the rapids over which it may rush; however cold and barren the banks of its channel; however wild, however darkly beached and stormily billowed the ocean into which it may finally plunge, Mary’s must follow. Fair creature! I could weep to think of it. For her sake, I hope a bright futurity for her lord; pity that the shadow of grief should ever fall where the light of such beauty shines. Every one knows how like the duchess is to her father: his very image cast in a softer—it could not be a more refined—mould. They are precisely similar, even to the very delicacy of their hands. As Byron says, her features have all the statuesque repose, the calm classic grace, that dwells on the Earl’s. She, however, has one advantage over him: the stealing, pensive brilliancy of her hazel eyes, and the peaceful sweetness of her mouth, impart a harmony to the whole which the satanic sneer fixed on the corresponding features of Northangerland’s face totally destroys. The original paintings of these two engraved portraits, namely, Zamorna’s and his lady’s, hang in the grand refectory at Wellesley House. Five hundred guineas was the sum paid for each. They are de Lisle’s, and rank amongst his most splendid chefs-d’œuvre. I know of no parallels to them, except those of Percy and Zenobia in the central saloon at Ellrington Hall. Search all the world from Iceland to Australia, and you will not find four human beings, male and female, to compare with them.

Hector Mirabeau Montmorency, Esq.! These features are somewhat stern to gaze on after such a continuation of the beautiful. They are far, however, from being harsh and disagreeable. A great deal of stuff was written some years ago about the exaggerated and grotesque character of this gentleman’s physiognomy. I remember several libellous assertions to that effect in the long since exploded catch-penny of Captain Tree’s denominated: ‘The Foundling.’[*] But, indeed, where all the rest was a compound of the grossest falsehood, where Lord and Lady Ellrington, Mr. Sydney, the Duke of Wellington, the whole concern of the Philosopher’s Island,—tutors, masters of colleges, students and all,—were hashed up into one wild farrago of bombast, fustian and lies, why should the Lord of Derrinane escape more than others? It is not to be wondered at that this same work, which gave a detailed account of Zenobia Percy’s declaring in solemn soliloquy that she hated her husband—abhorred, loathed, detested her own Alexander—which afterwards showed her daring him in the most insolent language to his fate, glorifying the young Marquis of Douro, and anathematizing him; and which, to crown all, made Percy offer to commit an act that certainly was more than excusable—almost justifiable after such provocation,—namely, the final settling of so shrewish and shameless a wife, introduced a third person to prevent the deed, and made his interference successful. The volume which contained all this, I say, should excite but small accession of wonder by the few lines that describe Montmorency as a broad, low man, bandy-legged, squinting, his head covered with a shock of shaggy black hair, and his eyes of the consistency of boiled gooseberries: green, glassy, and ghost-like. The fact is Hector is a tall, well-proportioned, robust figure, with red hair, a florid complexion, an expression of eye which indicates good humour, powerful talent, and no small degree of ferocity. His countenance is certainly not so femininely elegant as that of Northangerland, nor so fierily magnificent as that of Zamorna, but it is the countenance of a gentleman and a Glass-towner, not of a brownie and a bear.

Hist! Thornton is awakening!

‘Heigho, Charles, what are ye about there?’

‘Looking at pictures.’

‘Looking at pictures? Aye, that ye are with a vengeance! Do ye see what you’ve done? Daubed your hands with ink, and then rubbed them over every other portrait in the book. Well, child, thou dost try my patience! Take away your fingers this minute. There! he’s drawn a scrawl across Lady Julia Sydney’s bonny face and spoiled the handsomest lass in the book! Leave the room and get me The Cook’s Guide: you shall learn a page of recipes for this business before ever you have a morsel of supper. Poor Julia! she’s fairly changed into a blackamoor; and there’s John with an ink mark across his forehead that makes him frown like death. Faith, that was a lucky hit! I’ve a’most a good mind to forgive you for it; but I willn’t either: there’s a hundred pounds thrown away, and I won’t have such work.’