It was a spectacle low, horrible, immoral.
Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public—a milder condiment for a people’s palate—than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.
Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor, in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster—like silver: rather, be it said, like Death.
Where was the artist of the Cleopatra? Let him come and sit down and study this different vision. Let him seek here the mighty brawn, the muscle, the abounding blood, the full-fed flesh he worshipped: let all materialists draw nigh and look on.
I have said that she does not resent her grief. No; the weakness of that word would make it a lie. To her, what hurts becomes immediately embodied: she looks on it as a thing that can be attacked, worried down, torn in shreds. Scarcely a substance herself, she grapples to conflict with abstractions. Before calamity she is a tigress; she rends her woes, shivers them in convulsed abhorrence. Pain, for her, has no result in good: tears water no harvest of wisdom: on sickness, on death itself, she looks with the eye of a rebel. Wicked, perhaps, she is, but also she is strong; and her strength has conquered Beauty, has overcome Grace, and bound both at her side, captives peerlessly fair, and docile as fair. Even in the uttermost frenzy of energy is each maenad movement royally, imperially, incedingly upborne. Her hair, flying loose in revel or war, is still an angel’s hair, and glorious under a halo. Fallen, insurgent, banished, she remembers the heaven where she rebelled. Heaven’s light, following her exile, pierces its confines, and discloses their forlorn remoteness.
Place now the Cleopatra, or any other slug, before her as an obstacle, and see her cut through the pulpy mass as the scimitar of Saladin clove the down cushion. Let Paul Peter Rubens wake from the dead, let him rise out of his cerements, and bring into this presence all the army of his fat women; the magian power or prophet-virtue gifting that slight rod of Moses, could, at one waft, release and re-mingle a sea spell-parted, whelming the heavy host with the down-rush of overthrown sea-ramparts.
Vashti was not good, I was told; and I have said she did not look good: though a spirit, she was a spirit out of Tophet. Well, if so much of unholy force can arise from below, may not an equal efflux of sacred essence descend one day from above?
What thought Dr. Graham of this being?
For long intervals I forgot to look how he demeaned himself, or to question what he thought. The strong magnetism of genius drew my heart out of its wonted orbit; the sunflower turned from the south to a fierce light, not solar—a rushing, red, cometary light—hot on vision and to sensation. I had seen acting before, but never anything like this: never anything which astonished Hope and hushed Desire; which outstripped Impulse and paled Conception; which, instead of merely irritating imagination with the thought of what might be done, at the same time fevering the nerves because it was not done, disclosed power like a deep, swollen winter river, thundering in cataract, and bearing the soul, like a leaf, on the steep and steelly sweep of its descent.
Miss Fanshawe, with her usual ripeness of judgment, pronounced Dr. Bretton a serious, impassioned man, too grave and too impressible. Not in such light did I ever see him: no such faults could I lay to his charge. His natural attitude was not the meditative, nor his natural mood the sentimental; impressionable he was as dimpling water, but, almost as water, unimpressible: the breeze, the sun, moved him—metal could not grave, nor fire brand.