[VII]
EREMBODEGHEM
The Queen’s Cloth
Erembodeghem is a commune of about 6,000 inhabitants, tho the pretty winding street by which we entered, with the picturesque, red-tiled houses clustered irregularly along both sides of it, suggests a smaller village. Nearly all the women in this town, as in Kerxken, make lace, and again it is chiefly Needle Point and Venise. The convent, which furnishes the customary directing and stimulating center, has no superior in the country for its particular laces, unless one grants preference to its own mother house at Opbrakel.
As we entered the courtyard, a group of French soldiers were warming themselves before a fire they had lighted beneath a dripping canvas tent-roof stretched across a corner of the wall. In the dreary rain the fire flaming against the brick wall, and the horizon blue of the uniforms were a cheery greeting. But inside the convent, alas, there was less cheer; indeed, there was the chill of the tomb, no coal for the poor sisters, who were for lack of it unable to conduct the regular school classes. They told us of their distress over the idleness of the children, who had been turned into the streets by the Germans many weeks before, and whom they were not yet able to reassemble. “Their manners are already so bad,” Sister A. said, “that we are ashamed to own them as our pupils.” The Germans left the class-rooms in the familiar condition, and the sisters had no sooner finished patching and disinfecting, than the Italian soldiers were billeted there. They were too loyal to criticise but I suspect that their experiences after the departure of the Italians must have convinced them that, after all, a new army is just another army. The French followed, but they at least were occupying only four class-rooms, and the sisters were trying to be optimistic. “We believe they must be better,” one of them said, with a smile; “however, we shall not know until they are gone.”
“At any rate,” she continued, “our lace-room has not been requisitioned; we have had enough coal to keep a little fire there. During all the four years that work has never stopt.” Since it was Saturday afternoon there were many vacant chairs in the class-room, but still enough girls were present to enable us to judge of the kind of lace school this is.
Little girls between nine and ten, sitting up very straight in their high-backed chairs, were working with swift, steady fingers and already producing a good Venise insertion of a simple leaf pattern. Several of the other girls were busy with the now well-known Venetian Point medallions representing the arms of the Allied nations, and the provinces of Belgium; still others were executing flower details for yard lace. All this Venise they were making with a needle and single linen thread, for this convent works exclusively with linen thread. They were handling the black cloth patterns, eight to ten inches wide, with apparent ease, turning them with almost every stitch. This mere mastery of the pattern is in itself impressive.
In a corner, near one of the great windows overlooking the walled-in winter garden, a slim, darkly clad girl about sixteen was absorbed in pricking a complicated pattern. Sister A. led me a little aside to explain that this was their feeble-minded girl and that tho they could not explain it, she was able to interpret correctly very difficult drawings.
VENISE BANQUET CLOTH PRESENTED BY THE LACE COMMITTEE TO H.M. QUEEN ELIZABETH ON HER RETURN FROM EXILE
Design by M. de Rudder; executed by the 30 best Venise-makers in Belgium in six months