The constant contributions of time and service at the strictly business ends—in the warehouses, or depots like the Hippodrome, or the skating-rink—seem more generous than all others. In these places the committees are shut away from that daily contact with misery that evokes a quick response. The business there has settled down to a matter of lists and accounts: one must work with a far vision for inspiration. It is quite a different matter in the actual ouvroir, where grateful women come all day and sew, and are sometimes allowed to keep their little children beside them. There you have their stories and know their suffering; you are able, also, to teach them, while they sew, how to care for their bodies and their homes, even to sing, and all the while you realize that the very garments they are putting together are to go to others even more unhappy—these are the places where service has its swift and rich rewards! I have visited just such blessed workrooms in Namur and Charleroi and Mons, in Antwerp and Dinant, in fact in dozens of cities up and down the length of Belgium. If they could be gaily flagged as they should be, we should see all the country dotted with these centers of hope. And we should know that they meant that thousands of women in Belgium are being given at least a few days’ work every month.
[XVII]
THE ANTWERP MUSIC-HALL
Before the war the big music-hall in Antwerp offered a gay and diverting program. Every night thousands drifted in to laugh and smoke—drawn by the human desire for happiness. Here they were care-free, irresponsible; tragedy was forgotten.
To-day it is still a music-hall. As Madame opened the door—from the floor, from the galleries, from every part of the vast place floated a wonderful solemn music—1,200 girls were singing a Flemish folk-song that might have been a prayer. We looked on a sea of golden and brown heads bending over sewing tables. Noble women had rescued them from the wreckage of war—within the shelter of this music-hall they were working for their lives, singing for their souls!
And all the time they were preparing the sewing and embroidery materials for 3,300 others working at home. In other words, this was one of the blessed ouvroirs or workrooms of Belgium.
Off at the left a few tailors were cutting men’s garments. High on the stage, crowded with packing-cases, sat the committee of men who give all their time to measuring the goods, registering the income and output of materials and finished garments. On the stage, too, was an extraordinary exhibit. Three forms presented three of the quaintest silk dresses imaginable, elaborately trimmed with ribbons and velvets and laces, and all designed for women of dainty figure. I laughed and then rather flushed, as I remembered the stories of the white satin slippers and chiffon ball gowns that had been included in our clothing offering of 1914. I murmured something of apology, and referred to the advance the Commission had made in 1915, when it had sent out the appeal for new materials only.
But Madame protested: “Oh,” she said, “these are here in honor! And we know that somebody once loved these dainty dresses, and for that reason gave them to us. We love your old clothes! Our only sadness is that we can not have them any more. One old dress to be made over gives work for days and days, while the new materials can be put together in one or two. What will become of all my girls now that I shall have no more of your old clothes to furnish them? How shall they earn their 3 francs (60 cents) a week? At best we can allow each but eight days’ work out of fifteen, and only one person from each family may have this chance.”