“‘I will pay the price of the horse.’

“Upon this all the company laughed; but the king and prince agreeing as to the forfeiture, Alexander ran to the horse, and laying hold on the bridle, turned him to the sun, for he had observed, it seems, that the shadow which fell before the horse, and continually moved as he moved, greatly disturbed him. While his fierceness and fury lasted, he kept speaking to him softly and stroking him; after which he gently let fall his mantle, leaped lightly upon his back, and got his seat very safe. Then, without pulling the reins too hard, or using either whip or spur, he set him agoing. As soon as he perceived his uneasiness abated, and that he wanted only to run, he put him in a full gallop, and pushed him on both with the voice and spur.

“Philip and all his court were in great distress for him at first, and a profound silence took place; but when the prince had turned him and brought him safe back, they all received him with loud exclamations, except his father, who wept for joy, and kissing him, said, ‘Seek another kingdom, my son, that may be worthy of thy abilities, for Macedonia is too small for thee.’”

Here, again, in North’s inimitable translation, we get the sort of vivid graphic presentation which makes ‘History’ as real to the child as are the adventures of Robinson Crusoe.

To sum up, to know as much as they may about even one short period, is far better for the children than to know the ‘outlines’ of all history. And in the second place, children are quite able to take in intelligent ideas in intelligent language, and should by no means be excluded from the best that is written on the period they are about.

History Books.—​It is not at all easy to choose the right history books for children. Mere summaries of facts must, as we have seen, be eschewed; and we must be equally careful to avoid generalisations. The natural function of the mind, in the early years of life, is to gather the material of knowledge with a view to that very labour of generalisation which is proper to the adult mind; a labour which we should all carry on to some extent for ourselves. As it is, our minds are so poorly furnished that we accept the conclusions presented to us without demur; but we can, at any rate, avoid giving children cut-and-dried opinions upon the course of history while they are yet young. What they want is graphic details concerning events and persons upon which imagination goes to work; and opinions tend to form themselves by slow degrees as knowledge grows.

Mr York Powell has, perhaps more than others, hit upon the right teaching for the young children I have in view. In the preface to his Old Stories from British History,[31] he says:—“The writer has chosen such stories as he thought would amuse and please his readers, and give them at the same time some knowledge of the lives and thoughts of their forefathers. To this end he has not written solely of great folk—kings and queens and generals—but also of plain people and children, ay, and birds and beasts too”; and we get the tale of King Lear and of Cuculain, and of King Canute and the poet Otter, of Havelock and Ubba, and many more, all brave and glorious stories; indeed, Mr. York Powell gives us a perfect treasure-trove in his two little volumes of Old Stories and Sketches from British History,[31a] which are the better for our purpose, because children can read them for themselves so soon as they are able to read at all. These tales, written in good and simple English, and with a certain charm of style, lend themselves admirably to narration. Indeed, it is most interesting to hear children of seven or eight go through a long story without missing a detail, putting every event in its right order. These narrations are never a slavish reproduction of the original. A child’s individuality plays about what he enjoys, and the story comes from his lips, not precisely as the author tells it, but with a certain spirit and colouring which express the narrator. By the way, it is very important that children should be allowed to narrate in their own way, and should not be pulled up or helped with words and expressions from the text. A narration should be original as it comes from a child—that is, his own mind should have acted upon the matter it has received. Narrations which are mere feats of memory are quite valueless. I have already spoken of the sorts of old chronicles upon which children should be nourished; but these are often too diffuse to offer good matter for narration, and it is well to have quite fitting short tales for this purpose.

I should like to mention two other little volumes in which children delight, which feed patriotic sentiment and lay a broad basis for historical knowledge. I mean Mrs Frewen Lord’s Tales from St Paul’s[32] and Tales from Westminster Abbey.[32a] It is a beautiful and delightful thing to take children informed by these tales to the Abbey or St Paul’s, and let them identify for themselves the spots consecrated to their heroes. They know so much and are so full of vivid interest that their elders stand by instructed and inspired. There are, no doubt, multitudes of historical tales and sketches for children, and some of them, like Miss Brooke Hunt’s Prisoners of the Tower,[33] are very good; but let the mother beware: there is nothing which calls for more delicate tact and understanding sympathy with the children than this apparently simple matter of choosing their lesson-books, and especially, perhaps, their lesson-books in history.

Many children of eight or nine will be quite ready to read with pleasure A History of England, by H. O. Arnold Forster, who has long since won his spurs in the field of educational literature. In this, as in matters of more immediate statecraft, Mr Arnold Forster has the gift to see a defect and a remedy, an omission and the means of supplying it. He saw that English children grew up without any knowledge of the conditions under which they live, and of the laws which govern them; but, since the appearance of The Citizen Reader and The Laws of Every-day Life, we have changed all that. The History of England, or, as the children call it, History, ignoring the fact that there is any other history than that of England, has hitherto been presented to young people as “outlines of dates and facts, or as collections of romantic stories, with little coherence and less result on the fortunes of the country.” Mr Arnold Forster says in his preface that he “is reluctant to introduce his book by any such repellent title as ‘A Summary,’ or ‘An Outline of English History.’ Such titles seem on the face of them to imply that the element of interest and the romance inseparable from the life and doings of individuals are excluded, and that an amplified chronological table has been made to do duty for history. But to read English history and fail to realise that it is replete with interest, sparkling with episode, and full of dramatic incident, is to miss all the pleasure and most of the instruction which its study, if properly pursued, can give.” The author fulfils his implied promise, and his work is, I venture to say, as “replete with interest, sparkling with episode, and full of dramatic incident” as is possible, considering the limitations imposed upon him by the facts that he writes for uneducated readers, and gives us a survey of the whole of English History in a pleasant, copiously and wisely illustrated volume of some eight hundred pages. How telling and lucid this is, for example, and how we all wish we had come across such a paragraph in our early studies of architecture:—“On page 23 we have pictures of two windows. One of them is what is called a Pointed window. All the arches in it go up to a point. It was built a long time before the Tudor period. The other was built in the time of Queen Elizabeth. In it the upright shaft, or mullion, of the window goes straight up to the top without forming an arch. This style of building a window is called the Perpendicular Style, because the mullions of the windows are ‘perpendicular.’ Some of the most famous buildings in England built in Tudor times, and in the perpendicular style, are the Chapel of King’s College, Cambridge, and Hatfield House, the residence of the Marquis of Salisbury, in Hertfordshire.” Mr Arnold Forster has done in this volume for children and the illiterate, what Professor Green did in his Shorter History of England for somewhat more advanced students, awakening many to the fact that history is an entrancing subject of study. This is a real introduction to real history. The portraits are an especially valuable feature of the work.

Dates.—​In order to give definiteness to what may soon become a pretty wide knowledge of history—mount a sheet of cartridge-paper and divide it into twenty columns, letting the first century of the Christian era come in the middle, and let each remaining column represent a century B.C. or A.D., as the case may be.