'Nature has bent to other laws if that tremendous night Passed o'er his frame, exposed and worn, and left no deadly blight; Then wonder not that when, refresh'd and warm, he woke at last, There lay a boundless gulf of thought between him and the past.
'Soon raising his astonished head, he found himself alone, Sheltered beneath a genial heap of vestments not his own; The light increased, the solemn truth revealing more and more, The soldiers' corses, self-despoiled, closed up the narrow door.
'That every hour, fulfilling good, miraculous succor came, And Prince Emilius lived to give this worthy deed to fame. O brave fidelity in death! O strength of loving will! These are the holy balsam drops that woeful wars distil.'
GUNPOWDER PERILS
1700
The wild history of Ireland contains many a frightful tale, but also many an action of the noblest order; and the short sketch given by Maria Edgeworth of her ancestry, presents such a chequerwork of the gold and the lead that it is almost impossible to separate them.
At the time of the great Irish rebellion of 1641 the head of the Edgeworth family had left his English wife and her infant son at his castle of Cranallagh in county Longford, thinking them safe there while he joined the royal forces under the Earl of Ormond. In his absence, however, the rebels attacked the castle at night, set fire to it, and dragged the lady out absolutely naked. She hid herself under a furze bush, and succeeded in escaping and reaching Dublin, whence she made her way to her father's house in Derbyshire. Her little son was found by the rebels lying in his cradle, and one of them actually seized the child by the leg and was about to dash out his brains against the wall; but a servant named Bryan Ferral, pretending to be even more ferocious, vowed that a sudden death was too good for the little heretic, and that he should be plunged up to the throat in a bog-hole and left for the crows to pick out his eyes. He actually did place the poor child in the bog, but only to save his life; he returned as soon as he could elude his comrades, put the boy into a pannier below eggs and chickens, and thus carried him straight though the rebel camp to his mother at Dublin. Strange to say, these rebels, who thought being dashed against the wall too good a fate for the infant, extinguished the flames of the castle out of reverence for the picture of his grandmother, who had been a Roman Catholic, and was painted on a panel with a cross on her bosom and a rosary in her hand.
John Edgeworth, the boy thus saved, married very young, and went with his wife to see London after the Restoration. To pay their expenses they mortgaged an estate and put the money in a stocking, which they kept on the top of the bed; and when that store was used up, the young man actually sold a house in Dublin to buy a high-crowned hat and feathers. Still, reckless and improvident as they were, there was sound principle within them, and though they were great favorites, and Charles II. insisted on knighting the husband, their glimpse of the real evils and temptations of his Court sufficed them, and in the full tide of flattery and admiration the lady begged to return home, nor did she ever go back to Court again.
Her home was at Castle Lissard, in full view of which was a hillock called Fairymount, or Firmont, from being supposed to be the haunt of fairies. Lights, noises, and singing at night, clearly discerned from the castle, caused much terror to Lady Edgeworth, though her descendants affirm that they were fairies of the same genus as those who beset Sir John Falstaff at Hearne's oak, and intended to frighten her into leaving the place. However, though her nerves might be disturbed, her spirit was not to be daunted; and, fairies or no fairies, she held her ground at Castle Lissard, and there showed what manner of woman she was in a veritable and most fearful peril.