CHAPTER XXII. — THE MAIDEN ALL FORLORN
One secret was soon out, even before the cruel parting of Fly and Mysie, which it greatly mitigated.
Clipston was to be repaired and put in order, to be rented by the Merrifields. It was really a fine old substantial squire’s house, though neglected and consigned to farmers for four generations. It had great capabilities—a hall up to the roof, wainscoted rooms—at present happy hunting-grounds to boys and terriers—a choked fountain, numerous windows, walled up in the days of the ‘tax on light,’ and never reopened, and, moreover, a big stone barn, with a cross on the gable, and evident traces of having once been a chapel.
The place was actually in Rockstone Parish, and had a hamlet of six or seven houses, for which cottage services were held once a week, but the restoration of the chapel would provide a place for these, and it would become a province for Lady Merrifield’s care, while Sir Jasper was absolutely entreated, both by Lord Rotherwood and the rector of Rockstone, to become the valuable layman of the parish, nor was he at all unwilling thus to bestow his enforced leisure.
It was a beautiful place. The valley of daffodils already visited narrowed into a ravine, where the rivulet rushed down from moorlands, through a ravine charmingly wooded, and interspersed with rock. It would give country delights to the children, and remove them from the gossip of the watering-place society, and yet not be too far off for those reading-room opportunities beloved of gentlemen.
The young people were in ecstasies, only mourning that they could not live there during the repairs, and that those experienced in the nature of workmen hesitated to promise that Clipston would be habitable by the summer vacation. In the meantime, most of the movables from Silverfold were transported thither, and there was a great deal of walking and driving to and fro, planning for the future, and revelling in the spring outburst of flowers.
Schoolroom work had begun again, and Lady Merrifield was hearing Mysie read the Geruasalemme Liberata, while Miss Vincent superintended Primrose’s copies, and Gillian’s chalks were striving to portray a bust of Sophocles, when the distant sounds of the piano in the drawing-room stopped, and Valetta came in with words always ominous—
‘Aunt Jane wants to speak to you, mamma.’
Lady Merrifield gathered up her work and departed, while Valetta, addressing the public, said, ‘Something’s up.’
‘Oh!’ cried Primrose, ‘Sofi hasn’t run away again?’