CAMEO XV. THE COUNTS OF ANJOU. (888-1142.)
Having traced the ancestry of our Norman kings from the rocks of Norway and the plains of Neustria, let us, before entering on the new race which succeeded them, turn back to the woodland birthplace of the house of Plantagenet, on the banks of the Loire.
The first ancestor to whom this branch of our royal line can be traced is Torquatus, a native of Rennes in Brittany, and keeper of the forest of Nid de Merle in Anjou, for the Emperor Charles the Bald. Of Roman Gallic blood, and of honest, faithful temper, he was more trusted by his sovereign than the fierce Frank warriors, who scarcely owned their prince to be their superior; and in after times the counts and kings his descendants were proud of deriving their lineage from the stout Woodman of the Blackbird’s Nest.
His son Tertullus distinguished himself in battle, and died early, leaving an only son, named Ingelger, who was godson to the Countess de Gastinois, and was brought up in her castle, the school of chivalry and “courtoisie” to the young vassals of the county.
The lady was heiress of Gastinois in her own right, and as the monarch had the power of disposing of his wards in marriage, she had been obliged to give her hand to the seneschal of Charles the Bald, a person whom she much disliked. One morning her husband was found dead in his bed; and his nearest relation, whose name was Gontran, accusing her of having murdered him, laid claim to her whole inheritance.
The cause was brought before Charles the Bald, at Chateau Landon; and Gontran offered to prove his words by the ordeal of battle, taking off his gauntlet and throwing it down before the Emperor. Unless the countess could find a champion to maintain her innocence, or unless Gontran was overthrown in single combat, she would be completely ruined, adjudged a murderess, and forced to hide her disgrace in a convent. None of the knights present would undertake her cause; and after gazing round at them in despair, she fainted away.
Her godson Ingelger, who attended her as a page, could not bear the sight of her distress, and, as a last hope, threw himself on his knees before the Emperor, entreating that, though he was only sixteen, and in the last grade of chivalry, he might be allowed to take up the gauntlet, and assert the innocence of his godmother.
Permission was granted; and Ingelger, trusting to the goodness of his cause, spent the night in prayer, went in early morning with the countess to hear mass, and afterward joined her in giving alms to the poor; then she hung a reliquary round his neck, and sent him to arm for the decisive combat.
The whole court were spectators; the Emperor Charles on his throne, and the accused widow in a litter curtained with black. Prayers were offered that God would show the right; the trumpets sounded, and the champions rode in full career against each other. At the first onset Gontran’s lance pierced his adversary’s shield, so that he could not disengage it, and Ingelger was thus enabled to close with him, hurl him to the ground, and dispatch turn with a dagger. Then, while the lists rung with applause, the brave boy rushed up to his godmother, and threw himself into her arms in a transport of joy.
The countess, thus cleared, only desired to retire from the world, and besought the Emperor’s consent to her bestowing all her lands on her young defender. It was readily granted; and shortly after Charles gave him, in addition, the government of the city of Angers, and the adjoining county of Anjou, whence he derives his title. [Footnote: Many similar tales of championship will occur to every one, in romance and ballad. The Ginevra of Ariosto, our own beautiful English ballad of Sir Aldingar, where it is an angel in the form of a “tinye boy,” who appears to vindicate the good fame of the slandered and desolate queen, the “Sir Hugh le Blond of Arbuthnot, in Scotland.” Perhaps this story may be the root of all the rest. It is recorded in the “Gesta Andegavorum,” in the compilation of which a descendant of Ingelger had a considerable share.]